In my master thesis I analysed the last period of my art work as presented in the
introduction. The main point of my view is its expression through abstract world to research
my inner self and thus influence the emotional and intuitive side of the viewer. In the field of
painting it is realized with facture explained in the first part under factogram chapter. It
contains the explanation what the facture is, what causes it and how it is expressed through
psychosomatic phenomenon. The second chapter contains photogram as an art technique,
its combining principles and other expressive options. This is illustrated with my own pieces
of art, as well as those taken from art history. The last theoretical part is synthesis of the first
and second chapter. I search for the connection between factogram and photogram, as a
result of which the question of their differences also becomes important.
After that the reproductions of my practical work are shown in which the knowledge from
the theoretical part is presented. Furthermore, works of other artists are introduced, with an
emphasis on those working in similar manner and technique. In addition to this, I make a
comparison with Eastern philosophy of light and darkness. In conclusion I review the whole
process of preparing my master thesis together with the new findings and deductions on the
topic of factogram and photogram.
|
