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Odnos med faktogramom in fotogramom v moji likovni ustvarjalnosti/Fotogrami
ID Hrovat, Meta (Author), ID Čerče, Ksenija (Mentor) More about this mentor... This link opens in a new window, ID Muhovič, Jožef (Mentor) More about this mentor... This link opens in a new window

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Abstract
Z magistrsko nalogo želim preučiti zadnja leta mojega ustvarjanja. Predstavitev slednjega se nahaja v uvodnem delu. Bistvenega pomena je izražanje skozi nepredmetni svet, katerega namen je raziskovati lastni jaz ter vplivati na emocionalno in intuitivno plat gledalca. V slikarstvu to realiziram skozi fakturo, ki jo širše predstavim v prvem poglavju pod pojmom faktogram. Razložim, kaj je faktura, s čim je pogojena in kako se izraža skozi pojav psihosomatike. V drugem poglavju sledi predstavitev fotograma kot likovne tehnike, njegovega principa kombinatorike in drugih izraznih možnosti. Spoznanja podkrepim z lastno likovno prakso in nekaj primeri iz umetnostne zgodovine. Zadnje teoretično poglavje predstavlja sintezo, v kateri zoperstavim spoznanja prvega in drugega poglavja. Predvsem gre za vprašanji, kje pride do stika med faktogramom in fotogramom ter v čem so razhajanja med njima največja. Temu sledijo reprodukcije mojega praktičnega likovnega ustvarjanja, kjer predstavim tudi druge avtorje, ki se ukvarjajo s podobnimi problematikami. Dotaknem se še vprašanja svetlobe in teme, kot ga problematizirajo vzhodne kulture. Zaključek namenjam pregledu svojega raziskovanja in predstavitvi ugotovitev, do katerih sem prišla tekom dela.

Language:Slovenian
Keywords:slikarstvo, faktura, gesta, zaznava, emocija, fotogram, indeksikalnost, kombinatorika, svetloba, senca, barvna senca, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2018
PID:20.500.12556/RUL-101768 This link opens in a new window
Publication date in RUL:04.07.2018
Views:1291
Downloads:619
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Secondary language

Language:English
Title:Relationship between factogram and photogram in my art practice/Photograms
Abstract:
In my master thesis I analysed the last period of my art work as presented in the introduction. The main point of my view is its expression through abstract world to research my inner self and thus influence the emotional and intuitive side of the viewer. In the field of painting it is realized with facture explained in the first part under factogram chapter. It contains the explanation what the facture is, what causes it and how it is expressed through psychosomatic phenomenon. The second chapter contains photogram as an art technique, its combining principles and other expressive options. This is illustrated with my own pieces of art, as well as those taken from art history. The last theoretical part is synthesis of the first and second chapter. I search for the connection between factogram and photogram, as a result of which the question of their differences also becomes important. After that the reproductions of my practical work are shown in which the knowledge from the theoretical part is presented. Furthermore, works of other artists are introduced, with an emphasis on those working in similar manner and technique. In addition to this, I make a comparison with Eastern philosophy of light and darkness. In conclusion I review the whole process of preparing my master thesis together with the new findings and deductions on the topic of factogram and photogram.

Keywords:painting, facture, gesture, perception, emotion, photogram, indexicality, combinatorics, light, shadow colour shadow, MA thesis

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