20.500.12556/RUL-101768 Odnos med faktogramom in fotogramom v moji likovni ustvarjalnosti/Fotogrami Relationship between factogram and photogram in my art practice/Photograms Z magistrsko nalogo želim preučiti zadnja leta mojega ustvarjanja. Predstavitev slednjega se nahaja v uvodnem delu. Bistvenega pomena je izražanje skozi nepredmetni svet, katerega namen je raziskovati lastni jaz ter vplivati na emocionalno in intuitivno plat gledalca. V slikarstvu to realiziram skozi fakturo, ki jo širše predstavim v prvem poglavju pod pojmom faktogram. Razložim, kaj je faktura, s čim je pogojena in kako se izraža skozi pojav psihosomatike. V drugem poglavju sledi predstavitev fotograma kot likovne tehnike, njegovega principa kombinatorike in drugih izraznih možnosti. Spoznanja podkrepim z lastno likovno prakso in nekaj primeri iz umetnostne zgodovine. Zadnje teoretično poglavje predstavlja sintezo, v kateri zoperstavim spoznanja prvega in drugega poglavja. Predvsem gre za vprašanji, kje pride do stika med faktogramom in fotogramom ter v čem so razhajanja med njima največja. Temu sledijo reprodukcije mojega praktičnega likovnega ustvarjanja, kjer predstavim tudi druge avtorje, ki se ukvarjajo s podobnimi problematikami. Dotaknem se še vprašanja svetlobe in teme, kot ga problematizirajo vzhodne kulture. Zaključek namenjam pregledu svojega raziskovanja in predstavitvi ugotovitev, do katerih sem prišla tekom dela. In my master thesis I analysed the last period of my art work as presented in the introduction. The main point of my view is its expression through abstract world to research my inner self and thus influence the emotional and intuitive side of the viewer. In the field of painting it is realized with facture explained in the first part under factogram chapter. It contains the explanation what the facture is, what causes it and how it is expressed through psychosomatic phenomenon. The second chapter contains photogram as an art technique, its combining principles and other expressive options. This is illustrated with my own pieces of art, as well as those taken from art history. The last theoretical part is synthesis of the first and second chapter. I search for the connection between factogram and photogram, as a result of which the question of their differences also becomes important. After that the reproductions of my practical work are shown in which the knowledge from the theoretical part is presented. Furthermore, works of other artists are introduced, with an emphasis on those working in similar manner and technique. In addition to this, I make a comparison with Eastern philosophy of light and darkness. In conclusion I review the whole process of preparing my master thesis together with the new findings and deductions on the topic of factogram and photogram. slikarstvo faktura gesta zaznava emocija fotogram indeksikalnost kombinatorika svetloba senca barvna senca magistrska naloga painting facture gesture perception emotion photogram indexicality combinatorics light shadow colour shadow MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2018-07-04 08:35:33 2018-07-04 08:35:36 2022-08-15 03:38:21 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 12043 343.pdf 343.pdf 1 EB5EEABD2CFA156E4ED958103DD320D1 b1bd8e5ef0b39519b7b495f7b5eef4e9b4b4df13862a548c1649dcae233aac73 63529ccf-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111937 344.zip 344.zip 1 101189AF615B4B6289C4A0ADBF899C7D 86a0d4b0b3a3ada3c1cbeca0174a9987d35c3f299290b2c17d703c88c670b01a 6365faa0-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111938 Akademija za likovno umetnost in oblikovanje 0 0 0