»MINIMUM POMNJENJA«

Špacapan, Ana (avtor), Čerče, Ksenija (mentor), Grafenauer, Petja (komentor)

Diplomsko delo je pogled na lastno slikarsko prakso kot obliko zapisovanja videnega, doživetega. Slika je nosilec, prek katerega subjekt doseže svojo potrditev, daje občutek, da je ta afirmacija shranjena, arhivirana in na varnem. Težnjo po inkarnaciji minimuma pomnjenja, ki ga v svojih delih omenja Samuel Beckett, obravnavam z zavestjo o elementu absurdnosti, ki jo spremlja. V diplomskem delu interpretiram vlogo fotografije kot referenčnega gradiva, podlage za sliko. Slikarska dela so razložena kot zaznamki, upodobitve trenutka zaznave in analiza le-tega prek vpogledov v doživljanje časa in spomina.

• Jezik: Slovenski jezik
• Ključne besede: slikarstvo, časovnost, spomin, absurd, fotografija, diplomska naloga
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2021
• PID: 20.500.12556/RUL-129806
• Datum objave v RUL: 08.09.2021

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: »A MINIMUM OF MEMORY«

Izvleček

This paper offers an insight into painting practice as a form of recording what was seen and experienced. A painting is a carrier through which a subject achieves confirmation and is made believe that this affirmation is stored, archived and safe. I study the aspiration for the incarnation of the minimum of memory, mentioned by Samuel Beckett in his works, with the accompanying element of absurdity in mind. In this paper, I interpret the role of a photograph as reference material, as a basis for paintings. Paintings are explained as markers, as depictions of the moment of perception and its analysis through insights into the perception of time and memory.

• Ključne besede: painting, duration, memory, the absurd, photography, BA thesis