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»MINIMUM POMNJENJA«
ID Špacapan, Ana (Author), ID Čerče, Ksenija (Mentor) More about this mentor... This link opens in a new window, ID Grafenauer, Petja (Comentor)

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Abstract
Diplomsko delo je pogled na lastno slikarsko prakso kot obliko zapisovanja videnega, doživetega. Slika je nosilec, prek katerega subjekt doseže svojo potrditev, daje občutek, da je ta afirmacija shranjena, arhivirana in na varnem. Težnjo po inkarnaciji minimuma pomnjenja, ki ga v svojih delih omenja Samuel Beckett, obravnavam z zavestjo o elementu absurdnosti, ki jo spremlja. V diplomskem delu interpretiram vlogo fotografije kot referenčnega gradiva, podlage za sliko. Slikarska dela so razložena kot zaznamki, upodobitve trenutka zaznave in analiza le-tega prek vpogledov v doživljanje časa in spomina.

Language:Slovenian
Keywords:slikarstvo, časovnost, spomin, absurd, fotografija, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-129806 This link opens in a new window
Publication date in RUL:08.09.2021
Views:1123
Downloads:292
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Secondary language

Language:English
Title:»A MINIMUM OF MEMORY«
Abstract:
This paper offers an insight into painting practice as a form of recording what was seen and experienced. A painting is a carrier through which a subject achieves confirmation and is made believe that this affirmation is stored, archived and safe. I study the aspiration for the incarnation of the minimum of memory, mentioned by Samuel Beckett in his works, with the accompanying element of absurdity in mind. In this paper, I interpret the role of a photograph as reference material, as a basis for paintings. Paintings are explained as markers, as depictions of the moment of perception and its analysis through insights into the perception of time and memory.

Keywords:painting, duration, memory, the absurd, photography, BA thesis

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