The master's thesis deals with the painting Starejši mož s sivo cesarsko brado from Maribor Regional Museum and explores its technique and technology. In the thesis, we develop a model and criteria for removing surface dirt from water-sensitive surfaces, such as the surface of the painting in question. We then review the model with the help of water-sensitive surfaces of paintings Starejša žena z obeskom and Gradnja hidroelektrarne and supplement it. In the thesis, we present the issue of the conservation-restoration intervention on the painting and the findings of our research of technological chalenges. We then apply our findings during the intervention.
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