Historična izvajalska praksa in njen vpliv na sodobno glasbeno interpretacijo

Raković, Jasmina (avtor), Mihajlović, Egon (mentor)

Magistrska naloga obravnava historično izvajalsko prakso (HIP – Historically Informed Performance) in njen vpliv na sodobno glasbeno interpretacijo. Namen raziskave je predstaviti razvoj gibanja HIP, njegova filozofsko-teoretična izhodišča ter vpliv, ki ga je imelo na razumevanje in izvajanje glasbe od baroka do sodobnosti. Naloga temelji na analizi muzikološke literature, zgodovinskih virov in teoretičnih razprav pomembnih avtorjev, kot so Nikolaus Harnoncourt, John Butt, Bruce Haynes in Richard Taruskin. V prvem delu naloga predstavi zgodovinski razvoj gibanja HIP, od zgodnjih poskusov obujanja stare glasbe v 18. in 19. stoletju do oblikovanja sistematičnega gibanja po drugi svetovni vojni. Posebna pozornost je namenjena vlogi pionirjev, kot so Gustav Leonhardt, Nikolaus Harnoncourt in John Eliot Gardiner, ki so pomembno vplivali na ponovno uporabo historičnih glasbil, raziskovanje zgodovinskih virov ter razvoj novih interpretativnih pristopov. Drugi del obravnava filozofsko-teoretične temelje HIP-a. Analizirani so pojmi glasbenega kanona, retorike, tradicije avtentičnosti in odnosa do modernizma. Naloga pokaže, da historično informirana izvajalska praksa ne pomeni preprostega poskusa rekonstrukcije preteklosti, temveč predvsem razvoj zgodovinske zavesti in kritičnega odnosa do ustaljenih izvajalskih tradicij. Posebej je izpostavljeno vprašanje avtentičnosti, ki ga sodobni teoretiki razumejo kot ustvarjalno in reflektirano interpretacijo, ne pa kot absolutno zgodovinsko pravilnost. V zadnjem delu naloga analizira vpliv HIP-a na sodobno glasbeno interpretacijo. Obravnavana so vprašanja notacije, tempa, ritma, artikulacije, vibrata in improvizacije ter pomen razumevanja zgodovinskega in kulturnega konteksta pri izvajanju glasbe. Ugotovitve kažejo, da je HIP pomembno spremenil način izvajanja stare glasbe ter vplival tudi na interpretacijo klasicističnega, romantičnega in celo sodobnega repertoarja. Historično informirana izvajalska praksa je danes sestavni del sodobnega glasbenega življenja in pomemben dejavnik pri oblikovanju pluralnega, raziskovalnega in reflektiranega odnosa do glasbene interpretacije.

• Jezik: Slovenski jezik
• Ključne besede: historična izvajalska praksa, glasbena interpretacija, glasbena retorika, avtentičnost
• Vrsta gradiva: Magistrsko delo/naloga
• Organizacija: AG - Akademija za glasbo
• Leto izida: 2026
• PID: 20.500.12556/RUL-188652
• Datum objave v RUL: 25.09.2026

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Historically Informed Performance Practice and Its Influence on Contemporary Musical Interpretation

Izvleček

The master’s thesis examines Historically Informed Performance (HIP) and its influence on contemporary musical interpretation. The aim of the research is to present the development of the HIP movement, its philosophical and theoretical foundations, and its impact on the understanding and performance of music from the Baroque period to the present day. The thesis is based on the analysis of musicological literature, historical sources, and theoretical discussions by important authors such as Nikolaus Harnoncourt, John Butt, Bruce Haynes, and Richard Taruskin. The first part of the thesis presents the historical development of the HIP movement, from the early attempts to revive early music in the eighteenth and nineteenth centuries to the formation of a systematic movement after the Second World War. Particular attention is devoted to the role of pioneers such as Gustav Leonhardt, Nikolaus Harnoncourt, and John Eliot Gardiner, who significantly contributed to the renewed use of historical instruments, the study of historical sources, and the development of new interpretative approaches. The second part discusses the philosophical and theoretical foundations of HIP. It analyses the concepts of the musical canon, rhetoric, tradition, authenticity, and the relationship between HIP and modernism. The thesis demonstrates that historically informed performance does not represent a simple attempt to reconstruct the past, but rather the development of historical awareness and a critical attitude toward established performance traditions. Special emphasis is placed on the question of authenticity, which contemporary theorists understand as a creative and reflective interpretation rather than an objectively »correct« historical reconstruction. The final part analyses the influence of HIP on contemporary musical interpretation. It addresses issues of notation, tempo, rhythm, articulation, vibrato, and improvisation, as well as the importance of understanding the historical and cultural context in musical performance. The findings show that HIP has significantly changed the performance of early music and has also influenced the interpretation of Classical, Romantic, and even contemporary repertoire. Today, historically informed performance represents an integral part of modern musical life and an important factor in shaping a pluralistic, research-oriented, and reflective approach to musical interpretation.

• Ključne besede: historically informed performance, musical interpretation, musical rhetoric, authenticity