Environmental ethics is a field that attempts to expand the framework of moral action and ethical principles beyond the limits of the human. Ethical consideration is becoming increasingly inclusive, moving beyond the initial Kantian focus on humans to include sentient beings, living nature and, eventually, inanimate nature. The environment, as a non- human entity, acquires independent ethical value. A special issue arises from human-made artefacts, such as cultural heritage. First, the text describes the structure of enunciation using methods of discourse theory, drawing on the example of Vuk Ćosić’s new media art project Nation – Culture (2000, reconstructed in 2022). It is an early, convincing example of the machine’s autonomous creativity in new media art. The text then reviews fundamental macroethics, in particular, Luciano Floridi’s information ethics, which is part of his philosophy of information. Ethical issues are discussed in the infosphere as an all-encompassing environment, conceived to enable reflection on artificial, i.e., engineered, agents and hybrid combinations of artificial, natural and human agents. Multi-agent systems seem to raise important questions about relationships among people and with the communities to which cultural artefacts and practices are connected. The information metaphysics proposed by Floridi is a basis for understanding and constructively addressing the complex phenomena of the digital age. The minimalist conception of the ethics of the information environment enables ethical evaluation and moral decision-making between possible courses of action to enhance the well-being of the entire infosphere, which represents reality most inclusively.
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