This thesis explores the contemporary and historical meanings of altars and ritual objects, as well as the question of how the contemporary symbolism of the altar and ritual objects can be recreated through modern techniques as personal artifacts. It presents the concept and realisation of a series of artistic and design objects inspired by personal mythology and memories. The aim of the thesis was not to reproduce the symbolism of the altar in a dogmatic sense, but rather to create an intimate, personal space through the design of artistic objects and jewellery.
The theoretical part examines the historical and contemporary meanings of the altar and ritual objects, as well as artistic practices that proved to be essential in the creation of the thesis. Understanding the symbolism of the altar and the establishment of rituals within the creative process was particularly relevant.
The experimental part involved the creation of a series of artistic and design objects using mixed techniques, including assemblage, soft soldering, and embroidery, with an emphasis on the use of found and second-hand materials. The resulting works include wall assemblages with spikes, assemblages on textile napkins, an embroidered tablecloth, a modular object made from photographs, and a jewellery collection. All objects are presented in an editorial presentation.
The hypothesis proposed that, through the use of repurposed objects, selected techniques, and a creative process that may gradually develop into a ritual over time, it is possible to recreate the symbolism of the altar according to one’s own interpretation.
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