The master's thesis examines the glory as a family tradition and an important element of collective identity, which contains the Orthodox ritual and represents a recognized part of the religious and cultural heritage of Serbia. Slava, as a religious custom, which due to its uniqueness has been declared a national symbol of the Serbian people, goes beyond the mere liturgical framework and becomes a symbolic practice that helps to strengthen family relationships, faith and ethnic identity.
The research is based on the theoretical starting points of the sociology of religion, anthropology, philosophy and identity theory, with an emphasis on the relationship between the profane and the sacred, the importance of rituals for the community, its shaping and the shaping of individuals within that community, and the process of identification. Slava in this context represents the ritual practice of creating a collective memory, reproducing customs and connecting individuals with their ancestors.
It acquires a special identity function in the context of migration, where it enables emigrants to always feel a sense of belonging to their homeland and a means of preserving their cultural identity. Abroad, fame will gain additional symbolism of the bridge that connects the language, culture and values of the country in which the immigrant lives with his homeland.
Research has shown that slava is a living ritual that has changed over time and adapts to every historical circumstance. Its durability is reflected in its openness to individual interpretation with a sacred part that is unchangeable. Her ability to connect religious tradition, society and identity in the modern social context at home and abroad also contributes to the topic.
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