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"Uh, I'm a pretty sick guy" : the dialogue of American Psycho in fiction and film
ID Čelhar, Aja (Avtor), ID Kavalir, Monika (Avtor)

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Izvleček
This paper examines how dialogue in Bret Easton Ellis's novel American Psycho (1991) serves to project the identity of its controversial protagonist Patrick Bateman. A com- parison with the dialogue in Mary Harron's film adaptation (2000) further highlights the importance of dialogue for characterisation by analysing how changes in Bateman's conversational behaviour on screen result in a different interpretation of the character. A pragmastylistic analysis reveals that dialogues are characterised by a strong discrepancy between their form and their content. While Conversation Analysis exposes few irregu- larities in the turn-taking structure of the dialogues, a Gricean pragmatic analysis con- f irms the impression that the content of the dialogues is often vapid – the participants fail to establish a meaningful connection with one another through a cooperative exchange of information. Bateman tries to disrupt the vapid interaction by confessing ever more openly to his killing sprees in a desperate attempt to establish some genuine contact. However, as the dialogues maintain the semblance of conversation, his shocking con- fessions go completely unnoticed. A scene-based analysis of the film, complete with a multimodal transcript, provides an insight into how the reduction of Bateman's deviances significantly alters his characterisation.

Jezik:Angleški jezik
Ključne besede:characterisation, screen adaptation, conversation analysis, cooperative principle, criminal mind, telecinematic stylistics, Bret Easton Ellis, American Psycho
Vrsta gradiva:Članek v reviji
Tipologija:1.01 - Izvirni znanstveni članek
Organizacija:FF - Filozofska fakulteta
Status publikacije:Objavljeno
Različica publikacije:Objavljena publikacija
Leto izida:2025
Št. strani:Str. 1-18
Številčenje:Vol. 245
PID:20.500.12556/RUL-181932 Povezava se odpre v novem oknu
UDK:81'38:[821.111(73).09-31:791.221.6]
ISSN pri članku:0378-2166
DOI:10.1016/j.pragma.2025.05.007 Povezava se odpre v novem oknu
COBISS.SI-ID:239277315 Povezava se odpre v novem oknu
Datum objave v RUL:20.04.2026
Število ogledov:332
Število prenosov:207
Metapodatki:XML DC-XML DC-RDF
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Gradivo je del revije

Naslov:Journal of pragmatics
Skrajšan naslov:J. pragmat.
Založnik:Elsevier
ISSN:0378-2166
COBISS.SI-ID:25783040 Povezava se odpre v novem oknu

Licence

Licenca:CC BY-NC 4.0, Creative Commons Priznanje avtorstva-Nekomercialno 4.0 Mednarodna
Povezava:http://creativecommons.org/licenses/by-nc/4.0/deed.sl
Opis:Licenca Creative Commons, ki prepoveduje komercialno uporabo, vendar uporabniki ne rabijo upravljati materialnih avtorskih pravic na izpeljanih delih z enako licenco.

Sekundarni jezik

Jezik:Slovenski jezik
Ključne besede:karakterizacija, filmska priredba, analiza pogovora, sodelovalno načelo, zločinski um, tele-kinematografska stilistika, Bret Easton Ellis, American Psycho

Projekti

Financer:ARIS - Javna agencija za znanstvenoraziskovalno in inovacijsko dejavnost Republike Slovenije
Številka projekta:P6-0218
Naslov:Teoretične in aplikativne raziskave jezikov: kontrastivni, sinhroni in diahroni vidiki

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