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"Uh, I'm a pretty sick guy" : the dialogue of American Psycho in fiction and film
ID
Čelhar, Aja
(
Avtor
),
ID
Kavalir, Monika
(
Avtor
)
PDF - Predstavitvena datoteka,
prenos
(948,89 KB)
MD5: 856FD82BF790D8F7673B59822A4DC9AC
URL - Izvorni URL, za dostop obiščite
https://www.sciencedirect.com/science/article/pii/S0378216625001201
Galerija slik
Izvleček
This paper examines how dialogue in Bret Easton Ellis's novel American Psycho (1991) serves to project the identity of its controversial protagonist Patrick Bateman. A com- parison with the dialogue in Mary Harron's film adaptation (2000) further highlights the importance of dialogue for characterisation by analysing how changes in Bateman's conversational behaviour on screen result in a different interpretation of the character. A pragmastylistic analysis reveals that dialogues are characterised by a strong discrepancy between their form and their content. While Conversation Analysis exposes few irregu- larities in the turn-taking structure of the dialogues, a Gricean pragmatic analysis con- f irms the impression that the content of the dialogues is often vapid – the participants fail to establish a meaningful connection with one another through a cooperative exchange of information. Bateman tries to disrupt the vapid interaction by confessing ever more openly to his killing sprees in a desperate attempt to establish some genuine contact. However, as the dialogues maintain the semblance of conversation, his shocking con- fessions go completely unnoticed. A scene-based analysis of the film, complete with a multimodal transcript, provides an insight into how the reduction of Bateman's deviances significantly alters his characterisation.
Jezik:
Angleški jezik
Ključne besede:
characterisation
,
screen adaptation
,
conversation analysis
,
cooperative principle
,
criminal mind
,
telecinematic stylistics
,
Bret Easton Ellis
,
American Psycho
Vrsta gradiva:
Članek v reviji
Tipologija:
1.01 - Izvirni znanstveni članek
Organizacija:
FF - Filozofska fakulteta
Status publikacije:
Objavljeno
Različica publikacije:
Objavljena publikacija
Leto izida:
2025
Št. strani:
Str. 1-18
Številčenje:
Vol. 245
PID:
20.500.12556/RUL-181932
UDK:
81'38:[821.111(73).09-31:791.221.6]
ISSN pri članku:
0378-2166
DOI:
10.1016/j.pragma.2025.05.007
COBISS.SI-ID:
239277315
Datum objave v RUL:
20.04.2026
Število ogledov:
332
Število prenosov:
207
Metapodatki:
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Objavi na:
Gradivo je del revije
Naslov:
Journal of pragmatics
Skrajšan naslov:
J. pragmat.
Založnik:
Elsevier
ISSN:
0378-2166
COBISS.SI-ID:
25783040
Licence
Licenca:
CC BY-NC 4.0, Creative Commons Priznanje avtorstva-Nekomercialno 4.0 Mednarodna
Povezava:
http://creativecommons.org/licenses/by-nc/4.0/deed.sl
Opis:
Licenca Creative Commons, ki prepoveduje komercialno uporabo, vendar uporabniki ne rabijo upravljati materialnih avtorskih pravic na izpeljanih delih z enako licenco.
Sekundarni jezik
Jezik:
Slovenski jezik
Ključne besede:
karakterizacija
,
filmska priredba
,
analiza pogovora
,
sodelovalno načelo
,
zločinski um
,
tele-kinematografska stilistika
,
Bret Easton Ellis
,
American Psycho
Projekti
Financer:
ARIS - Javna agencija za znanstvenoraziskovalno in inovacijsko dejavnost Republike Slovenije
Številka projekta:
P6-0218
Naslov:
Teoretične in aplikativne raziskave jezikov: kontrastivni, sinhroni in diahroni vidiki
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