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Steakhouse by Špela Čadež : intimate partner (psychological) abuse through tangible imagery and the act of resistance
ID
Krajnc, Maja
(
Avtor
)
PDF - Predstavitvena datoteka,
prenos
(2,79 MB)
MD5: F41D80DF92BFDDC6C462A340E733D819
URL - Izvorni URL, za dostop obiščite
https://www.tandfonline.com/doi/full/10.1080/17411548.2025.2494923
Galerija slik
Izvleček
This article examines Špela Čadež’s Steakhouse, a ten-minute animated short, as a formally inventive and politically resonant depiction of psychological abuse in intimate relationships. The film provides a nuanced and impactful portrayal of the cyclical nature of psychological abuse, exposing emotional entrapment through richly textured visual and auditory design. Employing analogue multiplane collage animation and haptic visuality, Steakhouse creates a tactile, immersive experience that evokes emotional suffocation, particularly through the key sequence of smoke. Drawing on Alain Bergala’s conception of cinema as art, it argues that the film’s aesthetic strategies function as a mode of authorship and critical engagement. Grounded in an interdisciplinary approach, it further incorporates Laura U. Marks’ concept of haptic visuality and Sara Ahmed’s notion of “everyday resistance” to explore how subtle gestures become feminist acts of refusal. Although not explicitly framed as a feminist work, Steakhouse critiques patriarchal dynamics embedded in domestic space and labour. Parallels with Agnés Varda’s Cléo from 5 to 7 underscore the role of spatial embodiment in the articulation of female subjectivity. Produced during the pandemic, Steakhouse foregrounds animation’s power to render invisible forms of violence perceptible and to provoke critical reflection through sensory engagement.
Jezik:
Angleški jezik
Ključne besede:
Špela Čadež
,
Steakhouse
,
psychological abuse
,
multiplane collage animation
,
haptic visuality
,
female subjectivity
,
Cléo from 5 to 7
Vrsta gradiva:
Članek v reviji
Tipologija:
1.01 - Izvirni znanstveni članek
Organizacija:
AGRFT - Akademija za gledališče, radio, film in televizijo
Status publikacije:
Objavljeno
Različica publikacije:
Objavljena publikacija
Leto izida:
2026
Št. strani:
Str. 54–71
Številčenje:
Vol. 23, no. 1
PID:
20.500.12556/RUL-180878
UDK:
791.6
ISSN pri članku:
2040-0594
DOI:
10.1080/17411548.2025.2494923
COBISS.SI-ID:
240039683
Datum objave v RUL:
18.03.2026
Število ogledov:
274
Število prenosov:
199
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Objavi na:
Gradivo je del revije
Naslov:
Studies in European cinema
Založnik:
Taylor & Francis
ISSN:
2040-0594
COBISS.SI-ID:
525968921
Licence
Licenca:
CC BY 4.0, Creative Commons Priznanje avtorstva 4.0 Mednarodna
Povezava:
http://creativecommons.org/licenses/by/4.0/deed.sl
Opis:
To je standardna licenca Creative Commons, ki daje uporabnikom največ možnosti za nadaljnjo uporabo dela, pri čemer morajo navesti avtorja.
Sekundarni jezik
Jezik:
Slovenski jezik
Ključne besede:
Špela Čadež
,
Steakhouse
,
psihična zloraba
,
multiplanska kolažna animacijska tehnika
,
haptična vizualnost
,
ženska subjektivnost
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