Matrica in njena spremenljiva narava

Podgornik, Maksimilijan (avtor), Stančič, Zora (mentor), Stanič, Tomo (komentor)

V svojem diplomskem delu raziskujem obrabo grafične matrice v tehniki suha igla. Bistveni del raziskovanja je spremenljiva narava matrice, ki skozi množično uporabo vodi v naključne spremembe v zapisu, postopno degradacijo skozi čas in zabris sledi. Istočasno vzpostavim vez med globokim tiskom in fosilizacijo. Motiv, ki sem ga upodobil na svoji matrici, je izumrli morski členonožec – trilobit, ki velja za simulaker že davno izumrlega bitja. Zanimalo me je, kakšna bo končna obraba matrice po tisočem odtisu, če namesto grafične preše uporabim priročno napravo za tiskanje v domačem okolju. Preko analize narejenih odtisov sem prišel do ugotovitve, da je pritisk, ki je potreben za odtis v tehniki suha igla, zelo pomemben. Pri odtisih narejenih s pomočjo grafične preše na Akademiji za likovno umetnost in oblikovanje, kjer se pritisk lahko prilagaja glede na potrebe, so bili rezultati ustreznejši. Večji pritisk preše doseže hitrejšo in opaznejšo obrabo matrice v primerjavi z napravo za tiskanje, ki sem jo imel na voljo doma.

• Jezik: Slovenski jezik
• Ključne besede: Slikarstvo Grafika Globoki tisk Matrica Suha igla Fosil Trilobit Diplomske naloge
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2025
• PID: 20.500.12556/RUL-174133
• Datum objave v RUL: 27.09.2025

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: The matrix and its changing nature

Izvleček

In my BA thesis, I am researching the wear of a graphic matrix in the drypoint technique. An essential part of the research is on its variable nature, which through its mass use leads to random changes in the record, gradual degradation over time and the fading of traces. At the same time, I establish a connection between intaglio printing and fossilization. The motif that I depicted on my matrix is an extinct marine arthropod – a trilobite, which is considered a simulacrum of a long-extinct creature. I was interested in what the final wear and tear of the matrix would be after the thousandth print, if instead of a graphic press I used a convenient device for printing (Embossing and die cutting system) in a home environment. Through the analysis of the prints made, I came to the conclusion that the pressure required for a print in the drypoint technique is very important. In the prints made using the graphic press at the Academy of Fine Arts and Design, where the pressure can be adjusted according to needs, the results were more appropriate. The higher pressure of the press achieves faster and more noticeable wear of the matrix compared to the printing device I had available at home.

• Ključne besede: Painting Printmaking Intaglio printmaking Matrix Drypoint Fossil Trilobite Bachelor's thesis