The thesis "Kiss and Cry" explores the world of figure skating and transforms its narratives into a clothing collection. The thesis addresses themes of dedication to the sport, the desire for success, and the price thereof. It highlights that figure skating, similar to fashion, can act as a breeding ground for abuse due to its highly mentally and physically demanding nature, whether as a hobby or profession. What is the impact of such a demanding environment on the psychological development of young athletes, and who are the adults meant to protect them, but continue the cycle of abuse due to their own upbringing in the same environment? This research also examines the role of coaches and other support personnel in the lives of young skaters and how their actions and decisions affect the long-term well-being of the athletes.
The clothing collection is extravagant and theatrical, not intended for everyday wear but to express the dramatic stories within the world of figure skating. It is crafted from fur, waterproof fabric, and stretch knits used for skating costumes. The pieces are adorned with glittering screen prints and crystals. Each piece in the collection tells its own story, depicting the tension of competitive moments to the subtle emotional states that skaters experience on and off the ice. Thus, the collection serves as a visual narrative that captures the beauty and the difficulty of this sport.
Beyond its aesthetic value, the collection also serves as a critique of a system that often prioritizes achievements over the well-being of individuals. The purpose of the thesis is to stimulate broader discussion about the necessary changes in the approach to nurturing young athletes and to create a safer and more supportive environment for their development, while also paying homage to this glamorous sport. Therefore, the collection is not only an artistic expression but also a means of raising awareness and promoting positive changes in the world of figure skating.
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