Reinterpretacija hišnih tekstilij v oblikovanju sodobnih izdelkov

Hrastar, Zala (avtor), Jenko, Marija (mentor), Zorec, Petja (komentor)

Magistrsko delo, ki sem ga podnaslovila Vrtičkanje, Prtičkanje, predstavlja umetniški razmislek o kontrastih našega vsakdanjega življenja, ki so predstavljeni kot rekonstrukcija nasprotja med digitalnim in rokodelskim načinom ustvarjanja. Namen dela je bil ponovno obuditi pozabljen tekstil, kot so kuhinjske krpe, tekstilni robčki, prti ter posteljnina, ki so me navdušili s svojimi tradicionalnimi vzorci, vezeninami, potiski, čipkami in sledovi (ne)uporabe. Zanimalo me je, kako so se včasih uporabljali in zakaj so bili mnogi od teh še vedno pakirani v originalnih zavitkih. Bili so tako dragoceni in prefinjeni, da so jih mogoče uporabili enkrat na leto; čakali so v predalih, skrbno pospravljeni v omarah, da se jim kaj ne bi zgodilo. Predajali so se iz generacije v generacijo, dokler niso izgubili pomena. V škatli na podstrešju, kjer jih je načel zob časa, so čakali na svoj zadnji dan. V teoretičnem delu sem raziskala pomen sentimentalne vrednosti izdelkov v našem življenju in nato nadaljevala predstavitev zgodovine izbranega hišnega tekstila. Predstavila sem tudi razvoj slovenskega ornamenta in bogato tekstilno dediščino, nato pa z vzdušjem, ki ga tekstil prinese v prostor, predstavila še tekstil za interier skozi meni zanimive tekstilne znamke, ter modni oblikovalki, ki združujeta principe ponovne uporabe tekstila in kulturno izročilo v oblikovanju novih izdelkov. V eksperimentalnem delu, v katerem sem sledila občutkom, ki so jih v meni vzbudili izbrani tekstilni kosi, sem predstavila večplastno zasnovo in proces razvoja tekstilnih tehnik po načelih ponovne uporabe, z namenom podaljšanja življenjske dobe tekstila. Iz predstavljenih tehnik izhajam pri oblikovanju novih vzorcev, ki jih realiziram v podobi umetniške instalacije, predstavljene na Bienalu tekstilne umetnosti v Kranju, v posteljnini in oblačilni kolekciji ter oblikovanju nakita in obutve, skladne s kolekcijo. Za sklep interpretacije rabe hišnega tekstila v sodobnih izdelkih predstavim skozi editorialno fotografijo v studiu in v naravi.

• Jezik: Slovenski jezik
• Ključne besede: ponovna uporaba, hišne tekstilije, kolaž, rekonstrukcija, digitalno, rokodelsko, kontrast
• Vrsta gradiva: Magistrsko delo/naloga
• Organizacija: NTF - Naravoslovnotehniška fakulteta
• Leto izida: 2024
• PID: 20.500.12556/RUL-155068
• Datum objave v RUL: 19.03.2024

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Reinterpretation of household textiles into contemporary design products

Izvleček

The master’s thesis, titled “Vrtičkanje, Prtičkanje” (A Garden of Fabrics), presents an artistic reflection on the contrasts of our daily lives, framed as a reconstruction between digital and artisanal ways of creation in textiles. The aim of the work was to revive forgotten textiles such as kitchen towels, textile handkerchiefs, tablecloths, and bed linen, which I found impressive with their traditional patterns, embroideries, prints, lacework, and traces of (non)use. I was curious how they used them in the past and why many of them were still packaged in their original wrappers. These textiles were so precious and refined that they might have been used only once a year, if at all; they waited in drawers, carefully stored in closets to avoid any harm. They were passed down from generation to generation until they lost their significance. In a box in the attic, where the ravages of time took their toll, they awaited their final day. In the theoretical part, I explored the significance of sentimental value in our lives, followed by an overview of the history of selected household textiles. I also presented the development of Slovenian ornamentation and rich textile heritage. Subsequently, through the atmosphere that textiles bring into a space, I introduced interior textiles by showcasing interesting textile brands and fashion designers who combine the principles of textile reuse and cultural heritage in designing new products. In the experimental part, following the feelings evoked by the selected textile pieces, I presented a multi-layered design and the process of developing textile techniques based on reuse principles to extend the lifespan of textiles. The design of new patterns was presented at the Textile Art Biennial in Kranj, then in the form of bed linen and a clothing collection, as well as the design of jewelry and footwear consistent with the collection is derived from the presented techniques. To conclude the interpretation of the use of household textiles in contemporary products, I presented the work through editorial photography in both a studio and a natural setting.

• Ključne besede: upcycling, household textiles, reconstruction, digital, craftsmanship, contrast