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Heterotopične pokrajine : prostorska plastenja v slikarskem delu Suzane Brborović
ID Golob, Urška (Author), ID Pompe Berlot, Uršula (Author)

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Abstract
Članek predstavlja fenomenološko študijo primera Suzane Brborović med ustvarjanjem likovnega dela – Konstrukcijska nasičenost (2014). V prvem delu sta predstavljeni analiza dinamike izkustva delovanja med njegovimi sestavnimi elementi (nazdor, prisotnost, telesno doživljanje, zaznavanje medijske vzročnosti), ki je bila izvedena po vzoru metode deskriptivnega vzorčenja (Hurlburt & Heavy, 2006) in eksplikativnega intervjuja (Petitmengin, 2006), in motivika dela, ki umetnico umesti v širši bivanjski in družbeni prostor. V drugem delu se raziskava usmeri na odnos med doživljanjem in ustvarjalnimi postopki, ki se jih umetnica poslužuje z namenom ustvarjanja nove oblike mnogoplastnega prostora, ki ga opisujemo s pojmom heterotopije (Foucault, 1986). Plastna metodologija, s katero opazujemo prostorsko razpravo, ki nastaja pri ustvarjanju, sovpada z novimi posthumanističnimi pristopi, ki se uporabljajo pri kvalitativnem raziskovanju nove materialnosti (Jewitt, 2016; St. Pierre, 2013). Namen prispevka je razkriti pogoje nastanka heterotopičnega prostora, ki zajema vprašanja moči digitalnega medija na delovanje umetnice, njeno avtonomijo in avtentičnost, ki ji jo ta dopušča.

Language:Slovenian
Keywords:heterotopija, fenomenologija likovnega ustvarjanja, izkustvo delovanja, utelešeno doživljanje, digitalni mediji
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:ALUO - Academy of Fine Arts and Design
Publication status:Published
Publication version:Version of Record
Year:2018
Number of pages:Str. 637-650
Numbering:Letn. 28, št. 3
PID:20.500.12556/RUL-148519 This link opens in a new window
UDC:75.071(497.4):7.01Brborović S.
ISSN on article:1408-5348
DOI:10.19233/ASHS.2018.39 This link opens in a new window
COBISS.SI-ID:3867758 This link opens in a new window
Publication date in RUL:25.08.2023
Views:780
Downloads:17
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Record is a part of a journal

Title:Annales. anali za istrske in mediteranske študije, Series historia et sociologia
Shortened title:Ann, Ser. hist. sociol.
Publisher:Zgodovinsko društvo za južno Primorsko, Societá storica del Litorale, Zgodovinsko društvo za južno Primorsko, = Societá storica del Litorale, Zgodovinsko društvo za južno Primorsko, = Societá storica del Litorale, Znanstveno raziskovalno središče Republike Slovenije, = Centro di ricerche scientifiche della Repubblica di Slovenia, Zgodovinsko društvo za južno Primorsko, Univerza na Primorskem, Znanstvenoraziskovalno središče, Zgodovinsko društvo za južno Primorsko, = Societá storica del Litorale, Zgodovinsko društvo za južno Primorsko, = Societá storica del Litorale, Inštitut IRRIS za raziskave, razvoj in strategije družbe, kulture in okolja, = Istituto IRRIS di ricerca, sviluppo e strategie della societa, cultura e ambiente
ISSN:1408-5348
COBISS.SI-ID:71952128 This link opens in a new window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:English
Title:Heterotopic landscapes : spatial layering in Suzana Brborović’s paintings
Abstract:
The paper describes the phenomenological case study of a painter Suzana Brborović during the creation of her artwork — Structural Saturation (2014). The first part of this paper depicts the analysis of agency and its constituent (control, presence, physical experience, the perception of media affordances), which was completed with the help of descriptive sampling (Hurlburt & Heavy, 2006), elicitation interview (Petitmengin, 2006), and the motive of the artwork that places the artist in the wider social and cultural context. The second part of the paper focuses mainly on the relationship between the experience and the artistic procedure that the artist uses to construct a new form of multifaceted space, which is described with the term heterotopy (Foucault, 1986). The methodological plasticity, with which we observe the spatial discussion that arises during the artist’s creative process, coincides with the new post-humanist approaches used in qualitative research of new materiality (Jewitt, 2016; St. Pierre, 2013). The purpose of this paper is to discover the prerequisites for the emergence of a heterotopic space that encompasses the issues of digital media influence on the artist’s agency as well as autonomy and authenticity that it permits.

Keywords:heterotopia, phenomenology of artistic creation, experience of agency, embodied experience, digital media

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