20.500.12556/RUL-148519 Heterotopične pokrajine prostorska plastenja v slikarskem delu Suzane Brborović Heterotopic landscapes spatial layering in Suzana Brborović’s paintings Članek predstavlja fenomenološko študijo primera Suzane Brborović med ustvarjanjem likovnega dela – Konstrukcijska nasičenost (2014). V prvem delu sta predstavljeni analiza dinamike izkustva delovanja med njegovimi sestavnimi elementi (nazdor, prisotnost, telesno doživljanje, zaznavanje medijske vzročnosti), ki je bila izvedena po vzoru metode deskriptivnega vzorčenja (Hurlburt & Heavy, 2006) in eksplikativnega intervjuja (Petitmengin, 2006), in motivika dela, ki umetnico umesti v širši bivanjski in družbeni prostor. V drugem delu se raziskava usmeri na odnos med doživljanjem in ustvarjalnimi postopki, ki se jih umetnica poslužuje z namenom ustvarjanja nove oblike mnogoplastnega prostora, ki ga opisujemo s pojmom heterotopije (Foucault, 1986). Plastna metodologija, s katero opazujemo prostorsko razpravo, ki nastaja pri ustvarjanju, sovpada z novimi posthumanističnimi pristopi, ki se uporabljajo pri kvalitativnem raziskovanju nove materialnosti (Jewitt, 2016; St. Pierre, 2013). Namen prispevka je razkriti pogoje nastanka heterotopičnega prostora, ki zajema vprašanja moči digitalnega medija na delovanje umetnice, njeno avtonomijo in avtentičnost, ki ji jo ta dopušča. The paper describes the phenomenological case study of a painter Suzana Brborović during the creation of her artwork — Structural Saturation (2014). The first part of this paper depicts the analysis of agency and its constituent (control, presence, physical experience, the perception of media affordances), which was completed with the help of descriptive sampling (Hurlburt & Heavy, 2006), elicitation interview (Petitmengin, 2006), and the motive of the artwork that places the artist in the wider social and cultural context. The second part of the paper focuses mainly on the relationship between the experience and the artistic procedure that the artist uses to construct a new form of multifaceted space, which is described with the term heterotopy (Foucault, 1986). The methodological plasticity, with which we observe the spatial discussion that arises during the artist’s creative process, coincides with the new post-humanist approaches used in qualitative research of new materiality (Jewitt, 2016; St. Pierre, 2013). The purpose of this paper is to discover the prerequisites for the emergence of a heterotopic space that encompasses the issues of digital media influence on the artist’s agency as well as autonomy and authenticity that it permits. heterotopija fenomenologija likovnega ustvarjanja izkustvo delovanja utelešeno doživljanje digitalni mediji heterotopia phenomenology of artistic creation experience of agency embodied experience digital media true false true Slovenski jezik Angleški jezik Članek v reviji 2023-08-25 10:28:45 2023-08-25 10:28:46 2023-11-15 09:51:59 0000-00-00 00:00:00 2018 0 0 Str. 637-650 št. 3 Letn. 28 2018 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 75.071(497.4):7.01Brborović S. 1408-5348 10.19233/ASHS.2018.39 3867758 ASHS_28-2018-3_GOLOB.pdf ASHS_28-2018-3_GOLOB.pdf 1 96EF3394FF40055B8F22445572CBC0EB f9b6dbc66936a701062cf951efe5c89171300f3298632ce35e02c25d78f2e25a bb0411cb-4321-11ee-b9d7-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=172776 http://zdjp.si/wp-content/uploads/2018/12/ASHS_28-2018-3_GOLOB.pdf 1 59002589-4321-11ee-b9d7-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=172775 Akademija za likovno umetnost in oblikovanje 0 0 0