The stage speech aesthetics of an individual performance is created by the synergism of the different speeches of individual actors which are connected by the directorʼs concept to the presentational (speech) whole and embedded within the theatrical situation. From this perspective each performance shapesits own speech aesthetics. In the wider sense, stage speech aesthetics relates to different periods of theatre history and is dependent on diverse theatrical aesthetics and historical, political, cultural, linguistic and other such contexts. It appears as a unit of similar speech strategies in several performances from an era. In this paper, the author attempts to show differences in the shaping of stage speech using excerpts from two performances from different time periods (Tugomer, 1947, Fužinski bluz, 2005).
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