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Algorithmic music for therapy : effectiveness and perspectives
ID
Raglio, Alfredo
(
Avtor
),
ID
Baiardi, Paola
(
Avtor
),
ID
Vizzari, Giuseppe
(
Avtor
),
ID
Imbriani, Marcello
(
Avtor
),
ID
Castelli, Mauro
(
Avtor
),
ID
Manzoni, Sara
(
Avtor
),
ID
Vico, Francisco
(
Avtor
),
ID
Manzoni, Luca
(
Avtor
)
PDF - Predstavitvena datoteka,
prenos
(326,44 KB)
MD5: AEC959729EF39AA1DA86555C3E07B9E4
URL - Izvorni URL, za dostop obiščite
https://www.mdpi.com/2076-3417/11/19/8833
Galerija slik
Izvleček
This study assessed the short-term effects of conventional (i.e., human-composed) and algorithmic music on the relaxation level. It also investigated whether algorithmic compositions are perceived as music and are distinguishable from human-composed music. Three hundred twenty healthy volunteers were recruited and randomly allocated to two groups where they listened to either their preferred music or algorithmic music. Another 179 healthy subjects were allocated to four listening groups that respectively listened to: music composed and performed by a human, music composed by a human and performed by a machine; music composed by a machine and performed by a human, music composed and performed by a machine. In the first experiment, participants underwent one of the two music listening conditions-preferred or algorithmic music' in a comfortable state. In the second one, participants were asked to evaluate, through an online questionnaire, the musical excerpts they listened to. The Visual Analogue Scale was used to evaluate their relaxation levels before and after the music listening experience. Other outcomes were evaluated through the responses to the questionnaire. The relaxation level obtained with the music created by the algorithms is comparable to the one achieved with preferred music. Statistical analysis shows that the relaxation level is not affected by the composer, the performer, or the existence of musical training. On the other hand, the perceived effect is related to the performer. Finally, music composed by an algorithm and performed by a human is not distinguishable from that composed by a human.
Jezik:
Angleški jezik
Ključne besede:
algorithmic music
,
human/machine composition
,
Melomics-Health
,
relaxation
,
therapeutic music listening
Vrsta gradiva:
Članek v reviji
Tipologija:
1.01 - Izvirni znanstveni članek
Organizacija:
EF - Ekonomska fakulteta
Status publikacije:
Objavljeno
Različica publikacije:
Objavljena publikacija
Leto izida:
2021
Št. strani:
13 str.
Številčenje:
Vol. 11, iss. 19 (art. 8833)
PID:
20.500.12556/RUL-132221
UDK:
004
ISSN pri članku:
2076-3417
DOI:
10.3390/app11198833
COBISS.SI-ID:
78036739
Datum objave v RUL:
18.10.2021
Število ogledov:
1793
Število prenosov:
166
Metapodatki:
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Objavi na:
Gradivo je del revije
Naslov:
Applied sciences
Skrajšan naslov:
Appl. sci.
Založnik:
MDPI
ISSN:
2076-3417
COBISS.SI-ID:
522979353
Licence
Licenca:
CC BY 4.0, Creative Commons Priznanje avtorstva 4.0 Mednarodna
Povezava:
http://creativecommons.org/licenses/by/4.0/deed.sl
Opis:
To je standardna licenca Creative Commons, ki daje uporabnikom največ možnosti za nadaljnjo uporabo dela, pri čemer morajo navesti avtorja.
Začetek licenciranja:
23.09.2021
Projekti
Financer:
FCT - Fundação para a Ciência e a Tecnologia, I.P.
Številka projekta:
DSAIPA/DS/0022/2018
Naslov:
GADgET
Financer:
ARRS - Agencija za raziskovalno dejavnost Republike Slovenije
Program financ.:
Raziskovalni program
Številka projekta:
P5-0410
Naslov:
Digitalizacija kot gonilo trajnostnega razvoja posameznika, organizacij in družbe
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