izpis_h1_title_alt

Algorithmic music for therapy : effectiveness and perspectives
ID Raglio, Alfredo (Author), ID Baiardi, Paola (Author), ID Vizzari, Giuseppe (Author), ID Imbriani, Marcello (Author), ID Castelli, Mauro (Author), ID Manzoni, Sara (Author), ID Vico, Francisco (Author), ID Manzoni, Luca (Author)

.pdfPDF - Presentation file, Download (326,44 KB)
MD5: AEC959729EF39AA1DA86555C3E07B9E4
URLURL - Source URL, Visit https://www.mdpi.com/2076-3417/11/19/8833 This link opens in a new window

Abstract
This study assessed the short-term effects of conventional (i.e., human-composed) and algorithmic music on the relaxation level. It also investigated whether algorithmic compositions are perceived as music and are distinguishable from human-composed music. Three hundred twenty healthy volunteers were recruited and randomly allocated to two groups where they listened to either their preferred music or algorithmic music. Another 179 healthy subjects were allocated to four listening groups that respectively listened to: music composed and performed by a human, music composed by a human and performed by a machine; music composed by a machine and performed by a human, music composed and performed by a machine. In the first experiment, participants underwent one of the two music listening conditions-preferred or algorithmic music' in a comfortable state. In the second one, participants were asked to evaluate, through an online questionnaire, the musical excerpts they listened to. The Visual Analogue Scale was used to evaluate their relaxation levels before and after the music listening experience. Other outcomes were evaluated through the responses to the questionnaire. The relaxation level obtained with the music created by the algorithms is comparable to the one achieved with preferred music. Statistical analysis shows that the relaxation level is not affected by the composer, the performer, or the existence of musical training. On the other hand, the perceived effect is related to the performer. Finally, music composed by an algorithm and performed by a human is not distinguishable from that composed by a human.

Language:English
Keywords:algorithmic music, human/machine composition, Melomics-Health, relaxation, therapeutic music listening
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:EF - School of Economics and Business
Publication status:Published
Publication version:Version of Record
Year:2021
Number of pages:13 str.
Numbering:Vol. 11, iss. 19 (art. 8833)
PID:20.500.12556/RUL-132221 This link opens in a new window
UDC:004
ISSN on article:2076-3417
DOI:10.3390/app11198833 This link opens in a new window
COBISS.SI-ID:78036739 This link opens in a new window
Publication date in RUL:18.10.2021
Views:1767
Downloads:166
Metadata:XML DC-XML DC-RDF
:
Copy citation
Share:Bookmark and Share

Record is a part of a journal

Title:Applied sciences
Shortened title:Appl. sci.
Publisher:MDPI
ISSN:2076-3417
COBISS.SI-ID:522979353 This link opens in a new window

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:23.09.2021

Projects

Funder:FCT - Fundação para a Ciência e a Tecnologia, I.P.
Project number:DSAIPA/DS/0022/2018
Name:GADgET

Funder:ARRS - Slovenian Research Agency
Funding programme:Raziskovalni program
Project number:P5-0410
Name:Digitalizacija kot gonilo trajnostnega razvoja posameznika, organizacij in družbe

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Back