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Paradoks portreta
ID Klinar, Ema (Avtor), ID Čerče, Ksenija (Mentor) Več o mentorju... Povezava se odpre v novem oknu, ID Berlot Pompe, Uršula (Komentor)

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Izvleček
Portret je podoba podobe. Ker upodablja človeški obraz, je bil kot tak mnogo let podrejen goli reprezentaciji in bil uporabljen kot sredstvo za prikaz družbenega statusa svojih upodobljencev. Z razvojem fotografije v 19. stoletju in posledični množični produkciji obraza v 20. stoletju je bila funkcija portreta kot žanra postavljena pod vprašaj, a navkljub grožnjam mu je uspelo preživeti in obstati. S tako bogato zgodovino pa vseeno ostaja jasno dejstvo, da so portretno slikarstvo tekom njegovega obstoja spremljala vprašanja sebstva, subjekta, reprezentacije, tihega pogleda portreta, upodabljanja kot dejanja, ipd. Umetniki so se na takšen ali na drugačen način ukvarjali s portretom in masko, ki jo proizvaja. V stremljenju, da bi se spopadla s problematiko portreta in odkrila način, kako preko lastnega jezika vanj vdihniti življenje, se bom v diplomski nalogi skušala spopasti s prej naštetimi vprašanji in ob njih vzpostaviti refleksijo lastnega avtorskega dela.

Jezik:Slovenski jezik
Ključne besede:portret avtoportret pogled maska disfiguracija subjekt diplomska naloga
Vrsta gradiva:Diplomsko delo/naloga
Organizacija:ALUO - Akademija za likovno umetnost in oblikovanje
Leto izida:2021
PID:20.500.12556/RUL-130903 Povezava se odpre v novem oknu
Datum objave v RUL:18.09.2021
Število ogledov:814
Število prenosov:149
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:The paradox of portraiture
Izvleček:
The portrait is the image of images. Due to it depicting the human face, it has been subdued to the subject of bare representation and used as a tool to depict the social status of the portrayed person for many years. The function of the portrait was called into question with the development of photography in 19th century and the consequential mass production of the face in 20th century. Despite the fact it has managed to survive and persevere. With the obviously prolific history it remains abundantly clear, that throughout its past, portraiture was confronted with questions such as the question of self, question of the subject, question of representation, question of the silent look of the portrait and of depiction as an act etc. One way or another, artists were fighting a battle against the portrait and the mask it produced. Motivated by the desire to challenge the problematic nature of the portrait and uncovering a way to find my own expressive language I will try to engage the means of bringing life into the portrait. In the thesis I will therefore undertake a confrontation with the before mentioned questions and attempt to provide a discourse in order to reflect on my own artwork.

Ključne besede:portrait self-portrait the look mask disfiguration subject BA thesis

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