Lina Bo Bardi: arhitektka

Gogala, Kaja (avtor), Vidrih, Rebeka (mentor)

Zaključna seminarska naloga obravnava arhitekturni opus italijansko-brazilske arhitektke Line Bo Bardi in ga poskuša umestiti v kontkest povojne arhitekture v Braziliji. Lina Bo Bardi med povojnimi brazilskimi arhitekti zaseda mesto med bolj prepoznavnimi, zanimanje za njeno življenje in delo pa je začelo naraščati po njeni smrti v zgodnjih 90. letih 20. stoletja. Bo Bardi sodi v generacijo arhitektov, ki je v obdobju po drugi svetovni vojni nasledila pionirje brazilske modernistične arhitekture, oblikovno pa se njena dela razlikujejo tako od del brazilskih predhodnikov kot sodobnikov. V nalogi so po pregledu brazilske arhitekture druge in tretje četrtine 20. stoletja podrobneje obravnavana tri ključna dela Line Bo Bardi: Steklena hiša (Casa de Vidro), Muzej umetnosti v São Paulu (Museu de Arte de São Paulo) in kulturno-športni center SESC Pompéia, ki še danes v vsakdanjem življenju São Paula igrajo pomembno arhitekturno, kulturno in družbeno vlogo. Ob pregledu teh treh arhitekturnih spomenikov lahko sledimo arhitekturni evoluciji Line Bo Bardi, sočasno pa spoznamo ključne elemente in težnje, s katerimi je izoblikovala svojevrstno arhitekturno govorico.

• Jezik: Slovenski jezik
• Ključne besede: Lina Bo Bardi, brazilska arhitektura, povojna arhitektura, modernizem, brutalizem, São Paulo, Brazilija
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: FF - Filozofska fakulteta
• Leto izida: 2021
• PID: 20.500.12556/RUL-129993
• Datum objave v RUL: 10.09.2021

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Lina Bo Bardi: Architect

Izvleček

The BA thesis focuses on the architecture of Italian-born Brazilian architect Lina Bo Bardi and attempts to contextualize Bo Bardi's built work within the postwar architecture in Brazil. The interest in Lina Bo Bardi's life and work has been on the rise since her passing in the early 1990s, and today she is among the well known representatives of postwar Brazilian architecture. Lina Bo Bardi belongs to the generation of Brazilian architects that followed the pioneers of Brazilian modernism in the period after the Second World War, but her work differs stylistically from the work of her predecessors as well as the work of her contemporaries. The thesis includes an overview of Brazilian architecture in the second and third quarters of the 20th century, followed by a presentation of three crucial works of Bo Bardi, which to this day retain an important architectural, cultural and social role in the city of São Paulo: the Glass House (Casa de Vidro), the São Paulo Art Museum (Museu de Arte de São Paulo) and the sports and culture centre SESC Pompéia. The analyses of the three works provide an insight into the architectural evolution of Lina Bo Bardi and highlight the key elements and aspirations that shape Bo Bardi's distinctive architectural language.

• Ključne besede: Lina Bo Bardi, Brazilian architecture, modernist architecture, brutalism, postwar architecture, São Paulo, Brazil