Krajina v modernizmu

Grobelšek, Zala (avtor), Jerčič Jakob, Anja (mentor)

V diplomski nalogi se posvečam svojim slikarskim in risarskim delom. Vsem delom, ki so nastala v zadnjih nekaj letih, je skupen motiv Kozjanskega, ki se pojavi do neke mere abstrahiran. Ker sem imela občutek, da sem se v tem ustvarjalnem procesu res našla, sem se odločila, da tej temi posvetim raziskovanje v diplomski nalogi. Samo prebiranje različnih virov mi ni le razširilo znanja o modernistični umetnosti, ampak tudi odprlo nove možnosti v likovnem procesu. V svojih delih sem našla določene vzporednice z avtorji Paulom Cezannom, Richardom Diebenkornom in Perom Kirkebyjem. Vsem trem je skupen motiv abstrahirane krajine ter obdobje modernizma. Tako sem v diplomski nalogi poskušala še podrobneje opredeliti njihovo smer, obdobje in različne sloge, v katerih so ustvarjali. Raziskovala sem tudi, kakšen je bil v teh obdobjih in slogih splošni odnos do krajine in kakšen odnos do krajine so imeli obravnavani umetniki. Opredelila sem tudi bistvene značilnosti, ki se mi zdijo pri teh avtorjih pomembne za njihov ustvarjalni proces. Vso to pridobljeno znanje sem poskušala reflektirati tudi v njihovih delih, zato sem njihova dela formalno analizirala po Muhoviču (2018). Ker se mi je zdelo pomembno, kako poteka njihov ustvarjalni proces tako pri risanju kot pri slikanju, sem analizirala po eno risarsko in eno slikarsko delo vsakega umetnika. V nadaljevanju diplomske naloge sem vse tri avtorje primerjala med sabo in kasneje naredila primerjave še s svojimi likovnimi deli. Tisto, kar se mi je zdelo uporabno za moj ustvarjalni proces, sem uporabila pri svojem ustvarjalnem procesu in to združila z motivom Kozjanskega. Med vsemi nastalimi deli sem izbrala sedem risarskih in tri slikarska dela, ki sem jih razdelila v tri različne sklope po motivih: Gubno, Stari kozolec in Kovačnica.

• Jezik: Slovenski jezik
• Ključne besede: slikarstvo
• Vrsta gradiva: Diplomsko delo/naloga
• Tipologija: 2.11 - Diplomsko delo
• Organizacija: PEF - Pedagoška fakulteta
• Leto izida: 2021
• PID: 20.500.12556/RUL-128712
• COBISS.SI-ID: 71247107
• Datum objave v RUL: 16.08.2021

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Modernism landscape

Izvleček

The focus of the degree paper is my drawing and painting artworks. Common to all of the artworks of the past few years is the motif of the Kozjansko region, which appears to be abstracted to some extent. I decided to dedicate my diploma research to this creative process because I felt I really found myself in it. The reading of the various sources hasn’t merely deepened my knowledge of modern art, but it has also opened up new opportunities for me in my creative process. I found certain parallels between my works and the works of artists such as Paul Cezanne, Richard Diebenkorn, and Pero Kirkeby. All three of them share the period of artistic creation, modernism, and the motif of the abstracted landscape. The goal of the degree paper thus became to minutely define their art movement, period, and artistic styles. Moreover, the research focuses on the general attitude towards landscape and nature during these movements and periods and on specific viewpoints that each of the authors held. Additionally, I defined key characteristics that seemed to have influenced each of the artist’s creative processes. I tried to reflect on the acquired knowledge through the analysis of their artworks, according to Muhovič (2018). I analysed one drawing and one painting per artist, as it seemed important to analyse their creative process in both of those techniques. The continuation of the paper compares the authors among themselves and later compares them to my artworks. I adapted that which seemed useful to my own creative process and merged it with the motif of the Kozjansko region. I chose seven drawings and three paintings among all of the artworks and separated them into three different sets based on motifs: “Gubno”, “Stari kozolec”, and “Kovačnica”.

• Ključne besede: painting