Gledališka skulptura – skulpturalno gledališče: histerija, umetnost, filozofija

Smrekar, Eva (author), Vidrih, Rebeka (mentor), Dolar Bahovec, Eva (mentor)

Naloga analizira delovanje Jeana-Martina Charcota (1825–1893) na področju histerije in njegove vplive na uprizoritveno dogajanje v Parizu na prelomu iz 19. v 20. stoletje. Bolj specifično se ukvarja s formiranjem tipov telesnosti kot nosilcev idej modernega subjekta in ženske seksualnosti, ki so se izoblikovali na preseku med likovnim upodabljanjem in teatralnim uprizarjanjem. Hkrati analizira tudi transformacijo telesa histeričarke v telo modernih performativnih praks, ki jo preučuje na primeru nadrealistične plesalke Hélène Vanel ter ORLAN in postmodernističnega body arta.

• Language: Slovenian
• Keywords: histerija, telo, performans, filozofija, seksualnost
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2020
• PID: 20.500.12556/RUL-121018
• Publication date in RUL: 29.09.2020

Secondary language

• Language: English
• Title: Theatrical Sculpture – Sculptural Theatre: Hysteria, Art, Philosophy

Abstract

This thesis is analysing work of Jean-Martin Charcot (1825–1893) regarding female hysteria and its influence on performative production at the turn of the century. To be more specific, it is researching different types of corporeality as a medium of developing ideas of modern subject and female sexuality, formating at the intersection of visual documentation and theatrical staging. At the same time, it analyses the transformation of hysterical body into a body of modern performative practices, as it further explores an example of surrealist dancer Hélène Vanel and postmodern body art performer ORLAN.

• Keywords: hysteria, body, performance, philosophy, sexuality