20.500.12556/RUL-121018 Gledališka skulptura – skulpturalno gledališče: histerija, umetnost, filozofija Theatrical Sculpture – Sculptural Theatre: Hysteria, Art, Philosophy Naloga analizira delovanje Jeana-Martina Charcota (1825–1893) na področju histerije in njegove vplive na uprizoritveno dogajanje v Parizu na prelomu iz 19. v 20. stoletje. Bolj specifično se ukvarja s formiranjem tipov telesnosti kot nosilcev idej modernega subjekta in ženske seksualnosti, ki so se izoblikovali na preseku med likovnim upodabljanjem in teatralnim uprizarjanjem. Hkrati analizira tudi transformacijo telesa histeričarke v telo modernih performativnih praks, ki jo preučuje na primeru nadrealistične plesalke Hélène Vanel ter ORLAN in postmodernističnega body arta. This thesis is analysing work of Jean-Martin Charcot (1825–1893) regarding female hysteria and its influence on performative production at the turn of the century. To be more specific, it is researching different types of corporeality as a medium of developing ideas of modern subject and female sexuality, formating at the intersection of visual documentation and theatrical staging. At the same time, it analyses the transformation of hysterical body into a body of modern performative practices, as it further explores an example of surrealist dancer Hélène Vanel and postmodern body art performer ORLAN. histerija telo performans filozofija seksualnost hysteria body performance philosophy sexuality true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2020-09-29 08:15:26 2020-09-29 08:15:29 2022-09-01 04:01:10 0000-00-00 00:00:00 2020 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 464068 6053.pdf 6053.pdf 1 12E1D28AAFFF5464680C749DAC611421 5c939a1af4252671dcd56f39297b27aab08964408c1804652d5765f72c0928e3 3459b6dc-a1ba-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=135861 Filozofska fakulteta 0 0 0