The main issue of both theoretical and practical parts of my thesis, is how intangible it is to define home. In order to try to grasp it, I take the transfer of memory as one of its presentations; as an invisible form which, in its nothingness, it produces the feeling of homeliness towards a place, while at the same time alienating it from it. This immateriality is concentrated in leftovers, artifacts that we keep as souvenirs. They aim to preserve a memory and within us, they evoke a feeling of longing for something that has passed.
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