The first part contains an overview of quantum mechanics, its beginnings and the origin of the multiverse theory utilized in this BA thesis. It will focus on the historic development of quantum mechanics and the issues instantiated by it. The second part is dedicated to a brief rundown of prevailing multiverse theories, a discussion about why the Everett interpretation (in the context of this thesis) belongs in the foreground and the appearance of quantum theory in painted works. The Everett interpretation and its features will be listed and more closely examined in this part. The final segment strives to use the Everett interpretation to substantiate the goal of this thesis (communication with the painted subject), especially with the use of all painted elements pertaining to all suitable subjects, who are going to recognize themselves in the painted work.