Preko Konsa do obravnave problema fascinacije v kontekstu umetnosti

Caserman, Katarina (avtor), Gorenec, Bojan (mentor), Kapus, Sergej (komentor)

Aritmetični odnos med tistim, kar je umetnik načrtoval, a ni izrazil, in tem, kar se je v njegovem rezultatu neintencionalno izrazilo, je nekaj, kar Duchamp pojmuje »koeficient umetnosti«. Kot bomo spoznali, je ta pri moji konstrukciji Kons vseskozi prisoten in je nekaj, kar dojemam kot ključni gradnik celote – Kons mi je za nazaj vzpostavil pomene, ki so se mi v nekem trenutku zdeli pomembnejši kot tisti koncepti, ki so sprva veljali za temelj konstrukcije. Kons ni umetniško delo, ki se s prisotnostjo gledalca dopolnjuje. Ravno nasprotno, gledalec je tisti, ki zaradi svoje celovitosti nujno potrebuje konstrukcijo. Slednja mu z destrukcijo njegovega notranjega sveta na novo konstruira prav ta svet, v katerem se individuum nahaja. Proces ustvarjanja skriva v sebi nekaj fascinantnega. Hipni akcenti, ki se v njem sprožijo in vzniknejo iz nezavednega, niso vseskozi prisotni, a vsakokrat presenetijo. To so trenutki, ki so tako močni, da se jim vedno znova in vsakič drugače poskušam približati ter jih doseči.

• Jezik: Slovenski jezik
• Ključne besede: Slikarstvo, konstrukcija, neprosojnost, translucidnost, odsevnost, gledalec, fascinacija, diplomska naloga.
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2019
• PID: 20.500.12556/RUL-110147
• Datum objave v RUL: 12.09.2019

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: On the Problem of Fascination in Art Through Cons

Izvleček

The arithmetic relation between what the artist was planning to express, but did not and between the unintentionally expressed in the outcome is something that Duchamp calls the »art coefficient«. As we will acknowledge, this is something that is ever-present in the construction Cons and is what is considered to be a crucial building block of an entity. Cons established its meanings in a backward direction, which suddenly seemed more important than those concepts, which were the base of the construction at the beginning. Cons is not an artwork which is to be fulfilled by the presence of the viewer. To the contrary – the viewer is the one who is incomplete and needs construction. Which by the destruction of his inner world newly constructs the one in which the individual is located. The creation process hides something fascinating; fleeting moments that are triggered and arise from the unconsciousness are not present all the way but amaze every single time. These moments are ones that are so compelling, ones we try to approach and reach over and over again, each time differently.

• Ključne besede: Painting, construction, opacity, translucency, reflection, viewer, fascination, BA thesis.