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Vpliv likovne umetnosti na medsebojne odnose učencev z lažjo motnjo v duševnem razvoju : magistrsko delo
ID Veber Zazula, Jasna (Avtor), ID Tomšič Amon, Bea (Mentor) Več o mentorju... Povezava se odpre v novem oknu, ID Kavkler, Marija (Komentor)

URLURL - Predstavitvena datoteka, za dostop obiščite http://pefprints.pef.uni-lj.si/3510/ Povezava se odpre v novem oknu

Izvleček
Sprememba zakonodaje zaradi uveljavljanja vključevanja otrok s posebnimi potrebami v sodobno šolo od učiteljev zahteva večjo usposobljenost za učinkovitejšo obravnavo učencev z lažjo motnjo v duševnem razvoju, ki sodijo v skupino otrok s posebnimi potrebami. Ob prenovi šolskih kurikularnih okvirjev in ob spremljajočih novih predpisih in pravilnikih so se začeli spreminjati tudi ukoreninjeni vzorci podajanja znanja. Najpomembnejše vodilo našega raziskovanja je zato bila želja po izdelavi sodobnih smernic, s pomočjo katerih bi likovni pedagogi pri pouku likovne umetnosti lahko pozitivno vplivali tudi na socialno prilagojenost učencev z lažjo motnjo v duševnem razvoju in jih s tem bolje pripravili na življenje v sodobni družbi. Z raziskovanjem smo ugotavljali vplive likovne umetnosti na medsebojne odnose in odzivanje učencev z lažjo motnjo v duševnem razvoju. Pri risanju in slikanju v dveh skupinah sedmega razreda prilagojenega programa osnovne šole z nižjim izobrazbenim standardom smo izvedli akcijsko raziskavo z dvema krogoma. Z njo smo izboljšali medsebojne odnose in odzivanje učencev z lažjo motnjo v duševnem razvoju. Izhajali smo iz konstruktivistične teorije poučevanja, ki poudarja dejavno in ustvarjalno gradnjo znanja, miselno aktivnost učencev in pridobivanje znanja iz lastne izkušnje. Ob individualni obliki sta prevladovala skupinska oblika dela in delo v dvojicah. Uporabili smo aktivne metode dela, ki ustrezajo konstruktivističnemu poučevanju likovne umetnosti: verbalna metoda (razlaga in pogovor), produktivni dialog, krajša diskusija, krajša razprava, prikazovanje, demonstracija, vizualizacija, opazovanje, video predstavitev, zvočna predstavitev, množica idej, možganska nevihta, besedne asociacije, zbiranje podatkov, preučevanje, raziskovanje, preizkus in preizkušanje, praktično delo, izkušenjsko učenje, sodelovalno učenje, igra vlog in simulacij, problemski pouk, metoda širjenja in udejanjanja likovnih senzibilnosti, metoda estetske komunikacije, metoda transponiranja in alternative, metoda kompleksnosti in prepletanja, metoda uzavedanja lastne senzibilnosti, metoda samostojnega dojemanja in usvajanja likovne tehnike s pomočjo lastne izkušnje, metoda likovnopedagoškega koncepta, reševanje problemov, projektno učno delo, portfolio, razredna predstavitev in razstava (ustvarjalnih zapiskov, plakatov, ključnih besed, vizualnih simbolov, likovnih izdelkov …). Vse metode smo prilagajali vzgojno-izobraževalnim, socialno-emocionalnim in biološkim posebnim potrebam posameznikov. Glede na izrazitost posebnih potreb smo uvedli nekatere metodično-didaktične prilagoditve (osebni odnos, omogočanje osebnega uspeha, skrb za učenčevo samopodobo in socialno ugoden položaj v razredu). Cilji so bili usmerjeni v uvajanje in preverjanje učinkov izboljšav medsebojnih odnosov in socialne prilagojenosti učencev. Mnenja vključenih smo preverili z individualnim, delno strukturiranim nestandardiziranim intervjujem. Vsi empirično pridobljeni podatki so interpretirani glede na že objavljena teoretična spoznanja o populaciji učencev z lažjo motnjo v duševnem razvoju, ki je bila vključena v trening, s katerim smo razvijali tudi socialne spretnosti. V teoretičnem delu magistrske naloge smo predstavili definicijo in značilnosti učencev z lažjo motnjo v duševnem razvoju. Opredelili smo njihove posebne potrebe z vzgojno-izobraževalnega, socialno-emocionalnega in biološkega vidika. Navedli smo aktualna izhodišča teorije konstruktivizma in jih aplicirali na pouk likovne umetnosti. Na osnovi vsega smo izdelali konstruktivistični vzgojno-izobraževalni model poučevanja predmeta likovna umetnost. Relevanten je zato, ker lahko z njegovimi konkretnimi sistematičnimi priporočili, ki so nastala iz sinteze empiričnih rezultatov, pripomoremo k izboljšanju medsebojnih odnosov in odzivanja učencev z lažjo motnjo v duševnem razvoju. Preizkušen model z uspešnim načinom spreminjanja procesa poučevanja likovne umetnosti je lahko učiteljem v pomoč pri uveljavljanju sodobneje zasnovane učne prakse likovne umetnosti in pri izoblikovanju lastne strategije poučevanja, ki jo uporabljajo pri svojem vsakodnevnem delu z učenci z lažjo motnjo v duševnem razvoju. Učitelje vodi k pridobivanju temeljnih znanj za boljšo orientacijo v novi situaciji. Ob tem osvetljuje tudi dodaten pogled na samo likovno umetnost in njeno izjemno pomembno vlogo v sodobnem poučevanju in učenju. Ob pouku likovne umetnosti na osnovnih šolah z nižjim izobrazbenim standardom je model uporaben še pri likovnih dejavnostih v drugih vzgojno-izobraževalnih institucijah, kamor so vključeni učenci z lažjo motnjo v duševnem razvoju.

Jezik:Slovenski jezik
Ključne besede:učenci z lažjo motnjo v duševnem razvoju, medsebojni odnosi, pouk likovne umetnosti, prilagojen program z nižjim izobrazbenim standardom, konstruktivistično poučevanje in učenje likovne umetnosti, socialna integracija
Vrsta gradiva:Magistrsko delo
Tipologija:2.09 - Magistrsko delo
Organizacija:PEF - Pedagoška fakulteta
Založnik:[J. Veber Zazula]
Leto izida:2016
Št. strani:107 str., XXXVI
PID:20.500.12556/RUL-83693 Povezava se odpre v novem oknu
UDK:376:7(043.2)
COBISS.SI-ID:11049033 Povezava se odpre v novem oknu
Datum objave v RUL:24.08.2016
Število ogledov:1556
Število prenosov:334
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:The impact of fine art as a school subject on the social interaction of pupils with mild intellectual disabilities
Izvleček:
The change in legislation for including children with special educational needs in modern schools requires that teachers gain a higher level of qualification for a more effective treatment of pupils with mild intellectual disabilities, who fall under the category of children with special educational needs. With the renewal of the schools’ curriculum frameworks and with the accompanying new legislations and regulations, the deeply embedded patterns of transferring knowledge have also started to shift. The most important principle of the following research was the desire to create modern guidelines with which art teachers teaching the subject of Fine Arts could positively influence the social adaptability of pupils with mild intellectual disabilities and thus better prepare them for life in modern society. The research aimed to identify the influence of Fine Arts on interpersonal relations and the responses of pupils with mild intellectual disabilities. Our two round action research was carried out through drawing and painting in two 7th grade groups in an adjusted primary school programme with lowered educational standards. In doing so, the interpersonal relations and the responses of pupils with mild intellectual disabilities were improved. The research was based on the constructivist theory of teaching, which stresses active and creative building of knowledge, the pupils’ mental activity and gaining knowledge from personal experiences. As well as individual work, group work and work in pairs was predominantly used. The following active work methods, which correspond to the ideas of constructivist teaching, were used: the verbal method (explanation and discussion), productive dialog, short discussion, short debate, presentation, demonstration, visualisation, observation, video presentation, listening presentation, sets of ideas, brainstorming, word association, data collection, exploring, researching, tests and testing, practical work, experiential learning, cooperative learning, role-playing/simulation, problem-based lessons, the method of expanding and actualising artistic sensibilities, the method of aesthetic communication, the method of transpose and alternative, the method of complexity and interconnection, the method of realising one’s own sensibility, the method of independent perception and the assimilation of artistic technique with the help of one’s own experiences, the method of artistic-pedagogical concept, problem solving, project-based learning, portfolio, class presentations and exhibitions (creative notes, posters, key words, visual symbols, drawings …). All of the methods were adjusted to the special educational, social-emotional and biological needs of the individuals. Because of the distinctiveness of special needs, certain methodical-didactical adjustments (personal relations, allowing personal accomplishment, care for the pupil’s self-image and socially beneficent status within the classroom) were implemented. The goals of our research were aimed at introducing and assessing the influence on the improvements of the students’ interpersonal relations and social adaptability. The opinions of people involved were examined using an individual, partially structuralized non-standardized interview. All empirically gathered data was interpreted according to previously published theoretical findings on the population of pupils with mild intellectual disabilities. These findings were also included in the training section, in which social abilities were being developed. In the theoretical part of the master’s thesis the definition and characteristics of pupils with mild intellectual disabilities were presented. The special needs that they require were defined from an educational, social-emotional and biological point of view. The current bases of the constructivist theory were listed and applied to the subject of Fine Arts. A constructivist model of teaching the subject of Fine Arts was developed on the basis of our collected data. This is important because through its concrete systematic recommendations, which were developed by synthesising empirical results, it can help improve interpersonal relations and the way pupils with mild intellectual disabilities respond. A tested model that is capable of successfully changing the process of teaching Fine Arts can be of great help to teachers in implementing a modern way of teaching Fine Arts and in shaping their own teaching strategy that they use in their everyday work with pupils with mild intellectual disabilities. It guides teachers towards acquiring fundamental skills that will ensure better orientation in a new situation. At the same time, it gives additional insight into fine arts and the important part it plays in modern teaching and learning. Besides using the model in the subject of Fine Arts in primary schools with lowered educational standards, it can also be used for fine arts in other educational institutions that include pupils with mild intellectual disabilities.

Ključne besede:pupils with mild intellectual disabilities

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