The author attempts to present subjective comprehension of space in the context of new technological structures. The analysis of perceptive abilities of the subject is based on inductive method of parallel prove. Examples from film aesthetics and other everyday life situations are used to describe new conditions of experiencing the space structures. A discourse is based on threenotions: geo-political aesthetics, implosion of the space and identity of hyperreality. By using these three concepts, the author attempts to verify perception of unity or division of space comprehension of an individual. The concept of "critical infrastructure" is used to represent the active cell within the processes of identification and indicates a possibility of influencing the economic structure, which has fictive power over the mechanisms of spatial imagination.
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