This thesis explored the integration of epoxy resin into a book block as a spatial and visual element within an artist's book. The aim of the research was to examine how the combination of illustration, three-dimensional modeling and materialexploration influences the perception of depth and narrative within a book format.
The experimental part involved the design and production of a book object combining hand-drawn and digitally processed illustrations, sculpted elements and multi-layer epoxy resin casting. The process included illustration development, layout design, laser cutting of an internal cavity, modeling with polymer clay and controlled multi-stage resin pouring. Particular attention was given to material-related factors such as temperature, viscosity and curing time.
The results showed that embedding epoxy resin into a book block in feasible but requires precise timing and strict control of environmental conditions. During the process, several imperfections occured, including air bubbles, visible layer lines, paper deformation due to moisture, uneven trimming of the book block and structural limitations of adhesive binding. Despite these issues, the intended visual effect of immersion and depth was successfully achieved.
The findings confirm that combining diverse materials and techniques enables the development of innovative artist's books, while also highlighting the importance of technical percision and appropriate material handling. The research provides a foundation for further improvements, particularly in binding techniques, resin casting control and optimization of material conditions.
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