The paper presents an analysis of the work Hlapci (The Serfs). The first section focuses on intertextuality, juxtaposing the original text from the drama Hlapci (The Serfs) by Ivan Cankar and the text in the comic strip Hlapci: Ko angeli omagajo (The Serfs - When the Angels Get Weary) by Damijan Stepančič and Andrej Rozman - Roza. The second section deals with multimodality in comic books (summative meaning derived from text and image), while the third section focuses on intermediality (fundamental differences and similarities between the two works discussed). The source text use references to Cankar's original work.
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