The thesis deals with the motif of suicide in three plays by Henrik Ibsen: The Wild Duck, Rosmersholm and Hedda Gabler. Alongside a literary analysis of Ibsen's works, the thesis also explores Durkheim's sociological study of suicide, and concludes that Ibsen and Durkheim share similar views in their understanding of suicide. Both see suicide as a symptom of social problems, not merely as a sinful individual act. Ibsen's plays are classified in the thesis among Durkheim's three categories of suicide: egoistic, altruistic and anomic. In The Wild Duck, Hedwig's sacrifice is seen as an example of altruistic suicide, stemming from her belief that her death will solve her father's problems. Rosmersholm focuses on the anomic suicide of Rebecca and Rosmer, who embark on a death together because they cannot reconcile their ideals with reality. Hedda's suicide in the play of the same name is egotistical, as Hedda is unable to reconcile her personal desires with society's expectations. The thesis shows how Ibsen used the tragic motif of suicide as a criticism of a society that does not allow for personal autonomy and individuality.
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