20.500.12556/RUL-163572 Ibsen in motiv samomora: Na primeru dram Divja račka, Rosmersholm in Hedda Gabler Ibsen and the motif of suicide Diplomska naloga obravnava motiv samomora v treh dramah Henrika Ibsena: Divja račka, Rosmersholm in Hedda Gabler. Ob literarni analizi Ibsenovih del naloga raziskuje tudi Durkheimovo sociološko študijo samomora, in ugotavlja, da si Ibsen in Durkheim delita podobna stališča pri razumevanju samomora. Oba namreč samomor dojemata kot simptom družbenih problemov, ne zgolj kot grešno individualno dejanje. Ibsenove drame so v nalogi uvrščene med tri Durkheimove kategorije samomora: egoistični, altruistični in anomični. V drami Divja račka je Hedvigina žrtev obravnavana kot primer altruističnega samomora, ki izhaja iz njenega prepričanja, da bo s svojo smrtjo rešila očetove težave. Rosmersholm se osredotoča na anomični samomor Rebekke in Rosmerja, ki se skupaj podata v smrt, ker ne moreta uskladiti svojih idealov z realnostjo. Samomor Hedde v istoimenski drami pa je egoističen, saj Hedda ne zmore uskladiti svojih osebnih želja s pričakovanji družbe. Naloga prikazuje, kako je Ibsen uporabil tragični motiv samomora kot kritiko družbe, ki ne dopušča osebne avtonomije in individualnosti. The thesis deals with the motif of suicide in three plays by Henrik Ibsen: The Wild Duck, Rosmersholm and Hedda Gabler. Alongside a literary analysis of Ibsen's works, the thesis also explores Durkheim's sociological study of suicide, and concludes that Ibsen and Durkheim share similar views in their understanding of suicide. Both see suicide as a symptom of social problems, not merely as a sinful individual act. Ibsen's plays are classified in the thesis among Durkheim's three categories of suicide: egoistic, altruistic and anomic. In The Wild Duck, Hedwig's sacrifice is seen as an example of altruistic suicide, stemming from her belief that her death will solve her father's problems. Rosmersholm focuses on the anomic suicide of Rebecca and Rosmer, who embark on a death together because they cannot reconcile their ideals with reality. Hedda's suicide in the play of the same name is egotistical, as Hedda is unable to reconcile her personal desires with society's expectations. The thesis shows how Ibsen used the tragic motif of suicide as a criticism of a society that does not allow for personal autonomy and individuality. norveška dramatika Henrik Ibsen literarni motivi samomor Norwegian drama Henrik Ibsen literary motifs suicide true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-10-09 09:19:46 2024-10-09 09:19:51 2024-10-11 03:23:49 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 560819 43880.pdf 43880.pdf 1 4C8A762F2883DC7CC758484C918F695F 3ce9aef49b62a4a0427afbea49ba5cef63d5b2e34ed641ab8c567aa30b1ac281 b29beac0-860e-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=193372 Filozofska fakulteta 0 0 0