Claude Lantier kot fokalizator in pripovedovalec

Delač Hrovatin, Lana (author), Smolej, Tone (mentor)

Diplomsko delo se ukvarja z naratologijo, področjem literarne vede, ki se je razvilo v 60. letih 20. stoletja. V prvem delu predstavi Kosovo in Stanzlovo teorijo pripovedovalca ter Genettovo definicijo fokalizacije in fokalizatorja. V nadaljevanju predstavi francoskega pisatelja Émila Zolaja, njegovo življenje, druženje z nekaterimi najvplivnejšimi umetniki tistega časa ter njegov koncept naturalističnega pisanja, ki ga definirajo zlasti izsledki moderne znanosti. V zadnjem delu se osredotoča na analizo romanov Trebuh Pariza in Umetnina, predstavi njuno genezo, posebna pozornost pa je namenjena liku Clauda Lantierja, ki je analiziran kot pripovedovalec in fokalizator v obeh romanih.

• Language: Slovenian
• Keywords: francoska književnost, Émile Zola, naratologija, fokalizacija, pripovedovalec
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2024
• PID: 20.500.12556/RUL-162000
• COBISS.SI-ID: 208386563
• Publication date in RUL: 18.09.2024

Secondary language

• Language: English
• Title: Claude Lantier as focalizer and narrator

Abstract

The thesis deals with naratology, a field of literary science that developed in the 1960s. In the first part, it presents Kos's and Stanzl's theory of the narrator and Genette's definition of focalization and focalizer. The next sequel presents the French writer Émile Zola, his life, his association with some of the most influential artists of the time, and his concept of naturalistic writing, defined in particular by the results of modern science. The final part focuses on the analysis of the novels The Belly of Paris and The Masterpiece, presenting their genesis, with particular attention to the character of Claude Lantier, who is analysed as the narrator and focaliser in both novels.

• Keywords: French literature, Émile Zola, naratology, focalization, narrator