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Popular music as living heritage : theoretical and practical challenges explored through the case of Slovenian folk pop
ID
Majsova, Natalija
(
Avtor
),
ID
Šepetavc, Jasmina
(
Avtor
)
PDF - Predstavitvena datoteka,
prenos
(423,71 KB)
MD5: 98C0CF55B1FCFF59C6FBB9CAC706FD21
URL - Izvorni URL, za dostop obiščite
https://www.tandfonline.com/doi/full/10.1080/13527258.2023.2250759
Galerija slik
Izvleček
Produced, distributed, and consumed in a de-territorialised way, modern popular music presents a set of challenges to cultural heritage policies which largely rely on spatial frameworks, as needs for the preservation of local, regional, or national cultural heritage are typically highlighted. Moreover, certain popular music genres dating back to the mid-20$^{th}$ century are both representations and re-inventions of local and ‘folk’ or ‘traditional’ music and have become a part of many living heritage practices. Slovenian folk-pop (FP) music is a case in point: a modern genre in terms of history and production conditions, nationally registered as intangible cultural heritage. This article offers an analysis of how FP music is integrated into authorised heritage discourse in Slovenia, foregrounding the results of extensive interviews with 14 heritage gatekeepers, such as organisers of FP festivals and curators of thematic museums. The article discusses how operational definitions of FP as heritage, used by various gatekeepers that operate locally, regionally, and internationally deviate from the definition provided in the national intangible heritage register. The analysis traces how discourses about national and cultural identity get intertwined with music and establishes that gatekeepers’ understandings of culture as either territorialised or dynamic significantly impact their heritage activities.
Jezik:
Angleški jezik
Ključne besede:
folk-pop music
,
living heritage
,
heritage gatekeepers
,
cultural identity
,
hybridity
Vrsta gradiva:
Članek v reviji
Tipologija:
1.01 - Izvirni znanstveni članek
Organizacija:
FDV - Fakulteta za družbene vede
Status publikacije:
Objavljeno
Različica publikacije:
Objavljena publikacija
Leto izida:
2023
Št. strani:
Str. 1283–1298
Številčenje:
Vol. 29, no. 12
PID:
20.500.12556/RUL-152598
UDK:
784.66(497.4):316.7
ISSN pri članku:
1352-7258
DOI:
10.1080/13527258.2023.2250759
COBISS.SI-ID:
162641923
Datum objave v RUL:
30.11.2023
Število ogledov:
453
Število prenosov:
67
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Objavi na:
Gradivo je del revije
Naslov:
IJHS. International journal of heritage studies
Skrajšan naslov:
IJHS, Int. j. herit. stud.
Založnik:
Taylor & Francis
ISSN:
1352-7258
COBISS.SI-ID:
682517
Licence
Licenca:
CC BY-NC-ND 4.0, Creative Commons Priznanje avtorstva-Nekomercialno-Brez predelav 4.0 Mednarodna
Povezava:
http://creativecommons.org/licenses/by-nc-nd/4.0/deed.sl
Opis:
Najbolj omejujoča licenca Creative Commons. Uporabniki lahko prenesejo in delijo delo v nekomercialne namene in ga ne smejo uporabiti za nobene druge namene.
Sekundarni jezik
Jezik:
Slovenski jezik
Ključne besede:
kulturna identiteta
,
zabavna glasba
,
slovenska narodnozabavna glasba
,
kulturna dediščina
,
Slovenija
Projekti
Financer:
ARRS - Agencija za raziskovalno dejavnost Republike Slovenije
Številka projekta:
J6-2582
Naslov:
Slovenska narodnozabavna glasba kot politika: percepcije, recepcije in identitete
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