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Maskina maksima
ID Basaj, Pika (Author), ID Stančič, Zora (Mentor) More about this mentor... This link opens in a new window, ID Stanič, Tomo (Co-mentor)

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MD5: B1016C14B5A0D1D730F7EF494B7C7E8C

Abstract
Projekt Maskina maksima sestavljata dve naglavni maski, namenjeni uporabi v zamejenem kontekstu cikličnih prepirov, katerih predmet spora predstavljajo ideološka trenja. Maska je narejena iz blaga, zato jo je mogoče zložiti na manjše dimenzije ter jo skupaj z ostalimi osebnimi predmeti pospraviti na hitro dostopno mesto, kot sta žep ali torba. Udeleženca jo imata ves čas pri sebi, zato si jo lahko ob vsakršnem naključnem nastopu konflikta povezneta na glavo ter z njo nadaljujeta prepir. Maska, kot oblika vizualnega vsiljivca v samem dogodku prepiranja, na ogled postavi številne dvojnosti in razcepe, tako na ravni vloge, govorice kot vednosti. S tem, ko razpre polje komičnega, sprevrača sam red prepiranja in ga obenem poskuša osmisliti. Sama postane objekt strasti, zataknjen v cikel prepiranja.

Language:Slovenian
Keywords:slikarstvo, maska, prepir, cikličnost, avtomatizem, dvojnost, razlika, komedija, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2023
PID:20.500.12556/RUL-150053 This link opens in a new window
Publication date in RUL:13.09.2023
Views:802
Downloads:86
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Secondary language

Language:English
Title:Mask's Maxim
Abstract:
Project The Mask's maxim consists of two masks that are intended to be used within a finite context of cyclical arguments centered around ideological incongruences. The masks are made out of cloth and are therefore easy to fold together and store in a convenient place, such as a pocket or a purse. Each participant carries a mask of their own, allowing both to don them on as soon as a conflict arises and resume the quarrel. During the argument, the mask, as a visual intruder, illustrates the many dualities and divisions on the level of role, speech, and knowledge. By broadening the dimension of what is humorous, it warps the principle of arguing and simultaneously attempts to bring meaning to it. In itself, it becomes the object of desire, embedded into the cycle of the quarrel.

Keywords:painting, mask, argument, cyclicality, automatism, duality, difference, comedy, BA thesis

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