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Konserviranje-restavriranje polikromiranega lesenega Putta na voluti iz Posavskega muzeja Brežice
ID Koren, Eva (Author), ID Vuga, Martina (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo z naslovom Konserviranje-restavriranje polikromiranega lesenega Putta na voluti iz Posavskega muzeja Brežice, obravnava konservatorsko-restavratorski poseg na umetnini, ki je bil izveden v prostorih Akademije za likovno umetnost in oblikovanje na Oddelku za restavratorstvo. Na kipcu je bilo predhodno opravljenih že nekaj posegov, zato je bil cilj konservatorsko-restavratorskega posega izboljšati estetski videz umetnine. Mestoma slikovna plast še ni bila utrjena. Barvna plast inkarnata je mat videza in za utrjevanje bolj problematična, zato sem se poglobila v to tematiko in izbiro materialov. Po stabilizaciji slikovne plasti smo lahko nadaljevali z ostalimi postopki, ki so vključevali čiščenje, odstranjevanje neprimernih materialov, kitanje in dopolnjevanje podloge ter retuširanje. Pri vseh odločitvah glede izbire materialov in postopkov smo upoštevali etične principe.

Language:Slovenian
Keywords:konservatorstvo-restavratorstvo, lesena plastika, polihromacija, utrjevanje, mat barvna plast, čiščenje, kitanje, retuša, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2023
PID:20.500.12556/RUL-149923 This link opens in a new window
Publication date in RUL:12.09.2023
Views:606
Downloads:79
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Secondary language

Language:English
Title:Conservation-restoration of polychrome wood Putto on volute from Posavje Museum Brežice
Abstract:
The BA thesis titled Conservation-restoration of polychrome wood Putto on volute from Posavje Museum Brežice, discusses a conservation-restoration treatment of an artwork that was carried out at the Academy of Fine Arts and Design, Department of Conservation and Restoration of Artworks. The smaller scale figure had undergone several previous interventions, so the goal of the conservation-restoration treatment was to improve the aesthetic presentation of the artwork. Some parts of the paint layer were still unstable and since the color layer was matte and therefore more problematic, I focused on this topic and the selection of materials. After stabilizing the paint layer, we were able to continue with other steps, which included cleaning, removing unsuitable materials, filling of the missing gesso ground and retouching. Throughout the work, we considered ethical principles in all decisions, materials, and interventions.

Keywords:conservation-restoration, wood sculpture, polychromy, consolidation, matte paint layer, cleaning, filling, retouching, BA thesis

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