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Transformacije ljudskih balad v dramska besedila : vprašanja žanrskih premikov, vsebinskih zasukov in performativnosti
ID Golež Kaučič, Marjetka (Author)

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Abstract
Prispevek se ukvarja z vprašanji žanrskih premikov in intertekstualnih povezavmed ljudsko balado in dramskim tekstom. Na podlagi analiz izbranih dramskih besedil avtorjev, ki so za svojo duhovno in medbesedilno odnosnico vzeli slovensko ljudsko balado, preučuje njene vsebinske in oblikovne transformacije. V tekstih presoja tudi uporabo teksture in konteksta ljudskega v umetnem ter ugotavlja, kakšna je performativna ali uprizoritvena funkcija besedila na odru; kako se na odru spreminja izvirna drama in kakšno vlogo ima pesem v dramskem besedilu v svoji sinkretični podobi besedila in melodije.

Language:Slovenian
Keywords:slovensko ljudsko slovstvo, ljudska balada, slovenska dramatika, performativnost, žanr, medbesedilnost
Work type:Article
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:FF - Faculty of Arts
Year:2012
Number of pages:Str. 93-101
PID:20.500.12556/RUL-147956 This link opens in a new window
UDC:398.87(=163.6):821.163.6-2.09
COBISS.SI-ID:34851629 This link opens in a new window
Publication date in RUL:17.07.2023
Views:403
Downloads:27
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Record is a part of a monograph

Title:Slovenska dramatika
Editors:Mateja Pezdirc-Bartol
Place of publishing:Ljubljana
Publisher:Znanstvena založba Filozofske fakultete
Year:2012
ISBN:978-961-237-541-6
COBISS.SI-ID:263953152 This link opens in a new window
Collection title:Obdobja
Collection numbering:31
Collection ISSN:1408-211X

Secondary language

Language:English
Abstract:
This article deals with questions of genre movements, intertextual links between folk ballad and dramatic text, and content transformations of folk songs based on analysis of selected dramatic plays by authors who have for their spiritual and intertextual antecedent taken Slovene folk ballad. The article further examines the application of texture and folk context in literature, the performative function of the text on stage, the modifications of the original stage play, and the role of the song in the text or folk ballad in the drama in its syncretic form of text and melody.

Keywords:folk ballad, Slovene drama, performance, genre, intertextuality

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