Within the framework of feminist theory, cultural studies and migration theories, the article presents an analysis of Milena Merlak Detela’s literary work, from a perspective that goes beyond traditional constructs relating to the concepts of borders, nationality, ethnic
origin and culture. This type of perspective is conditioned by the migrant experience of the author and her active involvement in two national and cultural imaginaries. In a subversive way, her poetics transcended the concepts of fixed identities, the rigidity of borders, nationality, ethnicity and culture.
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