Dr. Gregor Gojmir Krek, pravnik in skladatelj: analiza izbranih del in njihov zgodovinski kontekst : magistrsko diplomsko delo

Mitrović, Branislava Sara (avtor), Škrubej, Katja (mentor), Weiss, Jernej (komentor)

Gregor Gojmir Krek (1875 – 1942) se je v prvi polovici 20. stoletja na Slovenskem uveljavil kot ugleden pravnik, sodnik, univerzitetni profesor in skladatelj ter kritik. Poleg ugodnih družinskih razmer so njegovo poklicno pot pomembno opredelili rojstni kraj in zgodovinske okoliščine. Gradec, pomembno pravno in kulturno središče Habsburške monarhije, ga je pravno-filozofsko in glasbeno-nazorsko izoblikoval. Močan vpliv zgodovinskopravne šole tekom študija prava se zrcali v njegovem uvodnem predavanju Pomen rimskega prava nekdaj in sedaj ter razpravi Organizacija sodišč po najnovejšem zakonskem načrtu. Študij glasbe ga je opremil z izvrstnim tehničnim znanjem skladanja in nazorsko širino. Pomembno pa je nanj vplivalo tudi takratno pestro družbeno-politično dogajanje, za katero so značilne nepopustljive zahteve po družbenih spremembah, ki se odrazijo z vzpostavljanjem narodnih identitet, kulture in jezika kot iskanjem novih vezi pripadnosti ter posledične dihotomije med starim ustrojem in novimi idejami. V okviru stare države zgrajena sodniška kariera ter priprava na akademski poklic sta Kreka konstituirali kot nadobudnega pravnika, ki ga je nova prihodnost slovenske družbe potrebovala in ki je izpolnil in presegel vsa pričakovanja. Zaradi vpliva na pospeševanje slovenskega glasbenega razvoja z ustanovitvijo in urednikovanjem revije Novi akordi je bil ključna osebnost slovenske glasbe v začetku 20. stoletja. Njegovi nazori se s časom niso bistveno spreminjali. Pred I. svetovno vojno so bili še zelo napredni, s spremembo okoliščin po njej pa so postajali manj aktualni. Krekovim pravnim in glasbenim delom so lastne zanj značilna razpetost med starimi oblikami in novimi načini ter pomen kontinuiranega razvoja in tradicije kot značilnosti glasbene moderne. V njegovem glasbenem kritiškem delu so te prevladujoče, medtem ko, četudi prisotne v pravniškem razmišljanju in skladanju, tam ne prevladajo nad močnimi romantičnimi prvinami. Tako se kot nova ugotovitev kaže, da sta si po načinu razmišljanja in prepričanjih nazorsko precej bližje pravnik in skladatelj Krek, medtem ko se glasbeni ideolog Krek od omenjenih nekoliko razlikuje.

• Jezik: Slovenski jezik
• Ključne besede: pravna zgodovina, rimsko pravo, muzikologija, pravnik, univerza v Ljubljani, skladatelj, glasbeni kritik, samospev, Novi akordi, modernizem
• Vrsta gradiva: Magistrsko delo/naloga
• Tipologija: 2.09 - Magistrsko delo
• Organizacija: PF - Pravna fakulteta
• Kraj izida: Ljubljana
• Založnik: [B. S. Mitrović]
• Leto izida: 2022
• Št. strani: 89 f.
• PID: 20.500.12556/RUL-141601
• UDK: 34:929Krek G.G.
• COBISS.SI-ID: 124713987
• Datum objave v RUL: 01.10.2022

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Dr. Gregor Gojmir Krek, lawyer and composer: analysis of selected works and their historical context

Izvleček

Gregor Gojmir Krek (1875 – 1942) has established himself as esteemed Slovenian lawyer, judge, university professor, composer and critic in the first half of the 20th century. Along with favourable family circumstances his professional career was strongly impacted by his birthplace and historical conditions. Important legal and cultural centre of Habsburg monarchy, Graz, has shaped his legal-philosophical and musical belief system. Strong influence of historical school of jurisprudence during his legal studies is mirrored in his introductory lesson Pomen rimskega prava nekdaj in sedaj (Importance of Roman law once and now) and disquisition Organizacija sodišč po najnovejšem zakonskem načrtu (Court organization in latest statutory draft). Musical studies had given him excellent technical knowledge for composing and broad-mindedness. Of important influence are diverse social and political happenings, reflected in forging of national identities, cultures and languages as search for new bonds of affiliation and consequently duality between old ways and new ideas. Krek’s judicial career and preparation for academic career in monarchy has established him as aspiring lawyer needed for new future of Slovenian society and state, later justifying and exceeding all expectations. Due to his influence on acceleration of Slovenian music’s development with founding and editing of publication Novi akordi (New chords) he was key figure in Slovenian music at the beginning of 20th century. His viewpoints have not changed dramatically in the course of time. Being very progressive before the I. world war, they became less relevant afterwards. Krek’s distinct division between old forms and new ways, importance of continuous development and tradition as characteristics of modernism are intrinsic of his legal and musical works. Those were predominant in his critic and publicistic works, where even though incorporated in his legal thinking and composing, are not prevailing over strong romantic characteristics. This constitutes a new finding that lawyer and composer Krek were closer in mindset and beliefs, whereas ideologist Krek seems to stand slightly apart from mentioned

• Ključne besede: legal history, roman law, musicology, lawyer, university in Ljubljana, composer, music critic, Lied, Novi akordi, modernism