In my thesis I am mainly concerned with the process, the physical work that leads to the desired form, the principle of subtraction based on the block format. My work proceeds
from the material combination of wood and the addition of glass elements, thus establishing the intercommunication and symbiotic interconnection of different materialities. I am dealing with the question of how to integrate two completely contradictory materials into a whole (wood and glass), while at the same time I am interested in the symbolism, myths and legends of the chosen wood. In some of my sculptures I am dealing with the problem of statics, the presentation of the work itself, i.e. the problem of the sculpture in relation to space. I am researching sculpture in the 20th century, where artists were dealing with negative space in sculpture, and there was also a big change in the definition of sculpture, or the broader field of art, at that time.
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