Konserviranje-restavriranje fragmenta stenske poslikave iz emonske insule XVII,soba II

Frelih, Danijela (author), Šeme, Blaž (mentor), Mladenovič, Ajda (comentor), Zalar Serjun, Vesna (comentor)

V prvem delu magistrskega dela pregledno predstavljamo sloge in tehnike rimskega stenskega slikarstva predvsem zgodnje cesarske dobe. Pri tem smo se oprli tudi na rimska pisca Plinija starejšega in Vitruvija ter sodobnejša dela, ki temeljijo na znanstvenih raziskavah. Poskušamo potrditi njune trditve glede uporabe surovin za pripravo ometov in pigmentov. S pomočjo do sedaj opravljenih rezultatov analiz rimskih stenskih poslikav na Slovenskem smo naredili pregled uporabe najpogostejših surovin. V nadaljevanju opisujemo še zgodovino fragmenta stenske poslikave iz emonske insule XVII (soba ll), ki je bil snet z arheološkega najdišča NUK II (Zoisova cesta) leta 1963 in je predmet naše nadaljnje obravnave. Fragment je bil leta 2013 prenesen iz depojev MGML v delavnico Akademije za likovno umetnost in oblikovanje, kjer je bil prevzet v nadaljnjo obravnavo. Sledilo je vzorčenje za določitev stratigrafije barvnih plasti in uporabljenih pigmentov, nato pa še ineraloško petrografska sestava malte ter čiščenje njegove površine. V študijskem letu 2018/19 smo fragment prevzeli, v okviru magistrskega dela smo na njem nadaljevali s konservatorsko restavratorskimi posegi, ki jih predstavljamo v drugem delu magistrskega dela.

• Language: Slovenian
• Keywords: konservatorstvo – restavratorstvo, antika, rimsko stensko slikarstvo, antični pigmenti in ometi, naravoslovne preiskave rimskih stenskih poslikav, emona, insula, magistrsko delo
• Work type: Master's thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2021
• PID: 20.500.12556/RUL-131740
• Publication date in RUL: 02.10.2021

Secondary language

• Language: English
• Title: Conservation – restoration of the fragment from the wall painting from insula XVII in Emona, room II

Abstract

The first part of the M.A thesis is dedicated to the relevant part of the Roman art from the whole empire. We have based our work on the works by Pliny the Elder and Vitruvius. We have also used modern literature, which is often based on the scientific research, and used it to verify claims by Pliny and Vitruvius about materials and their use for mortars and pigments. We have also collected results from scientific analyses which were done on the roman wall paintings from the Slovene territory and used them for overview of the most commonly used materials. After that we have described history of the fragment of the wall painting from the insula XVII (room 2) from Emona, which was discovered and save in 1963. This fragment is the subject of the later analyses. The second part of the thesis is dedicated to the conservation-restoration of the mentioned fragment.

• Keywords: antiquity, roman wall painting, ancient pigments and plasters, scientific analyses of roman wall paintings, emona, insula, ma thesis