Vpliv družbenih razmer na vizualno podobo novega vala

Kolenko, Petja (avtor), Stančič, Zora (mentor), Potočnik, Robert (komentor)

Magistrska naloga raziskuje jugoslovansko družbeno in glasbeno gibanje novi val in naslovnice (platnice) gramofonskih plošč, ki so v okviru tega izšle. Delo podrobneje preučuje odnos med svojevrstno družbeno-politično situacijo bivše Jugoslavije in vizualno podobo novega vala, ugotovitve pa predstavlja na primerih izbranih likovnih oprem ter motivov albumov. Teoretični del naloge zajema definicije in opredelitve fenomena novega vala, pojasnjuje njegov pomen ter razvoj znotraj jugoslovanskega družbenega konteksta, predstavlja krajši zgodovinski pregled jugoslovanske moderne glasbe ter se osredotoča na medij gramofonske plošče, njegov razvoj in plat vizualnosti. Skozi izbrane primere naslovnic vinilnih albumov novega vala je na zgledu motivov prikazano, kako je na njihovo snovanje vplivalo družbeno stanje, v katerem so nastajali. V procesu raziskovanja sem sodelovala z dvema oblikovalcema ter akterjema scene novega vala – Goranom Lisicom Foxom ter Etbinom Stefančičem; tako skozi razlago njunih spominov predstavljam direkten vpogled v delovanje same scene ter v ozadje oblikovanja izbranih naslovnih motivov. Na koncu teoretičnega dela se predstavljam z avtoportretnimi deli, ki so nastala kot citati nekaterih predstavljenih ter osebno priljubljenih naslovnic. Raziskovalni problem naloge predstavlja recipročnost okolja in likovne podobe, zato empirični del naloge predstavlja potek ter rezultate kvalitativne raziskave, ki preiskuje odnos in vlogo pojava novega vala v okviru današnje družbe. V okviru te je bila izvedena likovna delavnica oblikovanja naslovnic glasbenih albumov, na podlagi katere preučujem, kako takšen pojav dojemajo udeleženci znotraj konteksta sodobnih družbenih razmer. Z opravljenimi intervjuji z udeleženci ugotavljam njihovo osebno mnenje, razumevanje pojava novega vala ter stališče do stanja sodobne družbe. Nastala dela iz delavnice so primerjana s predstavljenimi naslovnicami iz teoretičnega dela, izpostavljene so podobnosti ter razlike med njimi in vzporednice z vsebino odgovorov iz intervjuja.

• Jezik: Slovenski jezik
• Ključne besede: novi val
• Vrsta gradiva: Magistrsko delo/naloga
• Tipologija: 2.09 - Magistrsko delo
• Organizacija: PEF - Pedagoška fakulteta
• Leto izida: 2021
• PID: 20.500.12556/RUL-125342
• COBISS.SI-ID: 54647811
• Datum objave v RUL: 22.03.2021

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Impact of the social situation on the visual image of the new wave music

Izvleček

This master's thesis investigates the Yugoslav music and social movement called the New Wave and gramophone record covers that were published as a part of this movement. The thesis examines in detail the relationship between the unique sociopolitical situation of the former Yugoslavia and the visual image of the New Wave. It presents the findings on the examples of selected art equipment and album motifs. The theoretical part of the thesis covers the definitions of the phenomenon of the New Wave, explains its meaning and development within the Yugoslav social context, presents a brief historical overview of Yugoslav modern music, and essentially focuses on gramophone records and their development and visual aspect. The motifs of selected examples of New Wave vinyl album covers will show how their design was influenced by the social situation in which they were created. In the research process, I personally collaborated with two participants in facilitating the New Wave scene - Goran Lisica Fox and Etbin Stefančič. From their memories, I present a direct insight into the work within the scene and the background of album art. At the end of the theoretical part, my self-portrait works are presented, which were created as quotations from some of the presented and personal favorite covers. The research problem of the thesis was the reciprocity of the environment and artistic image, so the empirical part of the thesis is the course and results of qualitative research that investigates the relationship and role of the emergence of New Wave in today's society. As a part of this, an art workshop on the design of music album covers was conducted, which helped me study how participants perceive such a phenomenon within the context of modern social conditions. I conducted short interviews with the participants, which helped me establish their personal opinions, their understanding of the phenomenon of the New Wave and their attitude to the state of modern society. I compare the resulting works from the workshop with the presented covers from the theoretical part. In the comparison, I highlighted the similarities, differences and parallels with the responses from interviews.

• Ključne besede: New Wave