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Portreti v grafiki
ID Jakopin, Nika (Author), ID Frelih, Črtomir (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/6622/ This link opens in a new window

Abstract
Glavni namen magistrskega dela je raziskati novo grafično tehniko mokulito, njene izrazne možnosti in prilagoditve za ustvarjanje z učenci v osnovni šoli. V teoretičnem delu raziskujemo portret kot del umetnosti, s katerim se je ukvarjalo že veliko umetnikov. Vsak izmed njih ga je razumel na svoj način, tako pa se portretu skozi čas spreminjal semantični in oblikotvorni pomen v umetnosti. Na tem mestu nas zato tudi zanima, kakšne značilnosti ima postmodernistični portret. V zadnjem delu teoretičnega dela predstavljamo likovne spremenljivke, ki zasedajo pomembno mesto v grafični risbi. V empiričnem delu povzemamo bistvene korake našega ustvarjalnega dela v ateljeju in predstavljamo končne odtise v grafični tehniki mokulito. Zadnji del naše raziskave poteka v šolskem okolju, kjer smo z učenci preizkusili grafično tehniko mokulito.

Language:Slovenian
Keywords:mokulito
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Year:2021
PID:20.500.12556/RUL-125070 This link opens in a new window
COBISS.SI-ID:53664003 This link opens in a new window
Publication date in RUL:22.03.2021
Views:719
Downloads:91
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Secondary language

Language:English
Title:Portraits in printmaking
Abstract:
The main objective of this master's degree thesis is to explore a new graphic technique called mokulito, its expressive abilities and adjustments to creating with primary school students. The theoretical part consists of a research of a portrait as a part of the art which has been practiced by many artists. Every artist has understood it in their own unique way and because of that, the portrait's semantic and shaping importance in art has been changing with time. At this point we are interest in the characteristic of the contemporary portrait. The last section of the theoretical part consists of a presentation of art variables that take an important part in graphic drawing. The empirical part consists of a presentation of the main steps of our creating work in the atelier and a presentation of the final prints in the graphic technique mokulito. The last part of our research takes part in the school environment where the graphic technique mokulito was tested.

Keywords:mokulito

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