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O ljubezni v slovenski dramatiki
Potočnjak, Draga (Author)

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Abstract
Svoje razmišljanje o ljubezni v slovenski dramatiki izpeljem iz Novalisove misli, da je ljubezen nema in lahko spregovori le v poeziji. Vendar živo in čisto ljubezensko čustvo tudi v drami "zapoje" le, ko gre za resnično ljubezen. Ker je tema zelo kompleksna, dramatika pa pisana v dialoški formi, podajam na tem mestu le izhodišča za praktično primerjalno analizo. Četudi se ljubezen izmika besedi, je dramo mogoče zelo dobro analizirati, saj so besede, ki jih izrekajo dramske osebe, največkrat manj pomembne od njihovega dejanskega pomena, podteksta in konteksta, v katerem so izrečene. Slovenska poetična drama, razen v zelo redkih primerih, opisuje predvsem nezmožnost ljubezni. Zanimivo je, da ljubezen v drami zares "zapoje" le, ko je ogrožena. Dramatik, ki se je zavedal moči tragike v ljubezni, je bil Ivan Cankar, osnove za obravnavanje partnerske ljubezni med žensko in moškim pa pri nas dejansko vzpostavlja pesnik, France Prešeren v Krstu pri Savici, zato lahko rečemo, da smo slovenski dramatiki dediči Prešerna in ne Linharta.

Language:Slovenian
Keywords:slovenska književnost, slovenska dramatika, poetična drama, ljubezen, hrepenenje, tragična ljubezen
Tipology:1.08 - Published Scientific Conference Contribution
Organization:FF - Faculty of Arts
Year:2017
Number of pages:Str. 107-114
UDC:821.163.6.09-2
DOI:10.4312/SSJLK.53.107-114 Link is opened in a new window
COBISS.SI-ID:64586850 Link is opened in a new window
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Downloads:32
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Record is a part of a monograph

Title:Ljubezen v slovenskem jeziku, literaturi in kulturi
Publisher:Znanstvena založba Filozofske fakultete
ISBN:978-961-237-934-6
COBISS.SI-ID:290542336 This link opens in a new window
Collection title:Zbirka Seminar slovenskega jezika, literature in kulture
Collection numbering:53
Collection ISSN:2386-0561
Place of publishing:Ljubljana
Year:2017
Editors:Alojzija Zupan Sosič

Secondary language

Language:English
Abstract:
My consideration of love in Slovene drama is drawn from Novalis's idea that love is dumb and can only speak through poetry. But a strong, pure feeling of love can also "sing" through drama when it is true love that is involved. Because the theme is a very complex one and drama is written a dialogue, I offer here merely a starting point for practical comparative analysis. Although love shies away from the word, drama is open to analysis since the words spoken by the dramatic characters are often less important than their actual meaning, and the subtext and context in which they are uttered. Except in very few cases, Slovene poetic drama describes above all the inability to love. It is interesting that love in drama only really "sings" when it is threatened. A dramatist who understood the power of the tragic in love was Ivan Cankar, but the foundation for dealing with the love between a man and a woman was the poet France Prešeren in The Baptism by the Savica, and so we can say that Slovene dramatists are the heirs to Prešeren and not Linhart.


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