O ljubezni v slovenski dramatiki

Potočnjak, Draga (author)

Svoje razmišljanje o ljubezni v slovenski dramatiki izpeljem iz Novalisove misli, da je ljubezen nema in lahko spregovori le v poeziji. Vendar živo in čisto ljubezensko čustvo tudi v drami "zapoje" le, ko gre za resnično ljubezen. Ker je tema zelo kompleksna, dramatika pa pisana v dialoški formi, podajam na tem mestu le izhodišča za praktično primerjalno analizo. Četudi se ljubezen izmika besedi, je dramo mogoče zelo dobro analizirati, saj so besede, ki jih izrekajo dramske osebe, največkrat manj pomembne od njihovega dejanskega pomena, podteksta in konteksta, v katerem so izrečene. Slovenska poetična drama, razen v zelo redkih primerih, opisuje predvsem nezmožnost ljubezni. Zanimivo je, da ljubezen v drami zares "zapoje" le, ko je ogrožena. Dramatik, ki se je zavedal moči tragike v ljubezni, je bil Ivan Cankar, osnove za obravnavanje partnerske ljubezni med žensko in moškim pa pri nas dejansko vzpostavlja pesnik, France Prešeren v Krstu pri Savici, zato lahko rečemo, da smo slovenski dramatiki dediči Prešerna in ne Linharta.

• Language: Slovenian
• Keywords: slovenska književnost, slovenska dramatika, poetična drama, ljubezen, hrepenenje, tragična ljubezen, France Prešeren, Krst pri Savici
• Typology: 1.08 - Published Scientific Conference Contribution
• Organization: FF - Faculty of Arts
• Year: 2017
• Number of pages: Str. 107-114
• PID: 20.500.12556/RUL-124163
• UDC: 821.163.6.09-2
• DOI: 10.4312/SSJLK.53.107-114
• COBISS.SI-ID: 64586850
• Publication date in RUL: 07.01.2021

Record is a part of a monograph

• Title: Ljubezen v slovenskem jeziku, literaturi in kulturi
• Editors: Alojzija Zupan Sosič
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2017
• ISBN: 978-961-237-934-6
• COBISS.SI-ID: 290542336
• Collection title: Zbirka Seminar slovenskega jezika, literature in kulture
• Collection numbering: 53
• Collection ISSN: 2386-0561

Secondary language

• Language: English

Abstract

My consideration of love in Slovene drama is drawn from Novalis's idea that love is dumb and can only speak through poetry. But a strong, pure feeling of love can also "sing" through drama when it is true love that is involved. Because the theme is a very complex one and drama is written a dialogue, I offer here merely a starting point for practical comparative analysis. Although love shies away from the word, drama is open to analysis since the words spoken by the dramatic characters are often less important than their actual meaning, and the subtext and context in which they are uttered. Except in very few cases, Slovene poetic drama describes above all the inability to love. It is interesting that love in drama only really "sings" when it is threatened. A dramatist who understood the power of the tragic in love was Ivan Cankar, but the foundation for dealing with the love between a man and a woman was the poet France Prešeren in The Baptism by the Savica, and so we can say that Slovene dramatists are the heirs to Prešeren and not Linhart.

• Keywords: Slovenian literature, Slovenian drama, poetic drama, love, tragic love, longing