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Marija, ki doji dete: kretsko-beneška ikona v ljubljanski Narodni galeriji
ID Mezeg, Magdalena (Author), ID Novak Klemenčič, Renata (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo obravnava ikono Marija, ki doji dete, hranjeno v slovenski Narodni galeriji. Provenienca ikone pred letom 1947 ni znana, po tem letu pa je okrnjena do leta 1974, ko jo prevzame Narodna galerija v Ljubljani. Namen pričujoče naloge je obravnava ikone iz različnih zornih kotov, s tem pa njena postavitev v širši umetnostnozgodovinski kontekst. Za obravnavo ikone so v nalogi ključna tri področja: slikarski izvor ikone in poimenovanje slikarstva, kateremu ikona pripada, kompleksen ikonografski motiv ter provenienca ikone. Po opisu ikone in okvirja sledi poglavje, v katerem je na podlagi konservatorsko-restavratorskefotodokumentacije iz leta 1974 ter UV in IR fotografij v nalogi analizirano stanje ikonske plošče in okvirja ter puncirano okrasje ikone. V drugem delu naloge sledi poglavje o praksi čaščenja vzhodnih ikon na Zahodu, zatem pa je orisana problematika slikarstva, ki mu je ikona v do sedaj obravnavani literaturi pripisana, ter poglavje o nastanku in značilnostih te slikarske govorice. Predzadnje poglavje razčleni kompleksen ikonografski motiv ikone, zadnje poglavje pa se poglobi v provenienco ikone.

Language:Slovenian
Keywords:Ikona Marija, ki doji dete, Narodna galerija Ljubljana, Kretsko-beneške ikone, Federalni zbirni center
Work type:Master's thesis/paper (mb22)
Organization:FF - Faculty of Arts
Year:2020
Publication date in RUL:20.10.2020
Views:415
Downloads:90
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Secondary language

Language:English
Title:Maria Lactans/Galaktotrophousa: Creto-Venetian icon in the National Gallery of Slovenia
Abstract:
The master's thesis deals with the icon Nursing Madona with Child from the National Gallery of Slovenia. The provenance of the icon is not known before 1947, but after that year it was unclear until 1974, when it was taken over by the National Gallery of Slovenia. The purpose of the present thesis is to deal with the icon from different perspectives, thus placing it in a broader art-historical context. There are three key areas for dealing with an icon: the origin of painting to which the icon belongs and its naming, the complex iconographic motif and the provenance of the icon. The chapter of the description of the icon and the frame is followed by a chapter on the condition of the icon panel and frame and the punched decoration of the icon are analyzed on the basis of conservation-restoration photo documentation from 1974 and of IR and UV photographs. The second part of the thesis begins with a chapter on the practice of worshiping Eastern icons in the West, followed by an outline of painting, to which the icon is attributed in the literature discussed so far, and origin and characteristics of this art language. The second to the last chapter analyzes the complex iconographic motif of the icon, and the last one concentrates on the problem of the icon provenance.

Keywords:Icon Nursing Madona with Child, National Gallery of Slovenia, Creto-Venetian icons, Federal Collection Centre

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