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Medbesedilne reference v romaneskni trilogiji Andreja Capudra
ID Uršič, Manca (Author), ID Kos, Matevž (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomska naloga proučuje medbesedilno navezovanje v romaneskni trilogiji Rapsodija 20 (1982), Iskanje drugega (1991) in Reka pozabe (2007) slovenskega prevajalca, pesnika, esejista, prozaista in politika Andreja Capudra. Splošni predstavitvi avtorjevega življenja in dela ter vsebinski, žanrski in literarnozgodovinski umestitvi obravnavanega ciklusa sledita teoretično uokvirjanje in pregled dozdajšnjih obdelav medbesedilnosti v treh romanih znotraj kritiške in literarnozgodovinske misli. Jedro pričujoče obravnave je trodelna analiza medbesedilnih navezav – z vidika uporabljenega jezika, izhodiščnih besedil in razvidnega namena referiranja. Medbesedilnost se zaradi pogostosti navezav, njihove obsežnosti in raznolikosti kaže kot najbolj izstopajoč postopek slogovnega (formalnega) oblikovanja in pomenskega (vsebinskega) poglabljanja v Capudrovi trilogiji, njena predmodernistična duhovnozgodovinska naravnanost in avtorjevo izjemno literarno eruditstvo pa ciklusu v kontekstu slovenske romanopisne produkcije odmerjata posebno (prej še ne zasedeno) mesto.

Language:Slovenian
Keywords:slovenska književnost, medbesedilnost, Andrej Capuder, Rapsodija 20, Iskanje drugega, Reka pozabe
Work type:Bachelor thesis/paper (mb11)
Organization:FF - Faculty of Arts
Year:2020
PID:20.500.12556/RUL-120177 This link opens in a new window
Publication date in RUL:17.09.2020
Views:346
Downloads:100
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Secondary language

Language:English
Title:Intertextual references in the trilogy of novels by Andrej Capuder
Abstract:
The diploma thesis deals with intertextual references present in the trilogy of novels – Rapsodija 20 (1982), Iskanje drugega (1991) and Reka pozabe (2007) – by Slovene translator, poet, essayist and prose writer as well as politician Andrej Capuder. After revisiting the author’s life and work, the thesis focuses on the content, genre and literary historical overview of the works in question. Further on, the theoretical frame and the existent intertextual analyses inside the critical and literary historical sphere are presented. The middle part of the research deals with the tripartite analysis of the intertextual references in regard to the language used, the chosen texts and the purpose of intertextuality. Due to the frequent intertextual references, their scope and diversity, intertextuality proves to be the most conspicuous process of stylistic (formal) design and the semantic (content-based) insight in Capuder’s trilogy while the spirit of pre-modernist historical disposition and Capuder’s erudite literary voice bring the trilogy a special (not yet occupied) place in the context of Slovene novel writing.

Keywords:Slovene literature, intertextuality, Andrej Capuder, Rapsodija 20, Iskanje drugega, Reka pozabe

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