Reprezentacija Fukushime v dokumentarnih filmih po nesreči leta 2011

Kleč, Sara (avtor), Visočnik, Nataša (mentor), Veselič, Maja (komentor)

Naloga obravnava dva izbrana dokumentarna filma na temo nesreče v Fukushimi, ki se je tam zgodila leta 2011, in njenih posledic. To sta filma Fukushima: A Nuclear Story in Futaba kara tōku hanarete (Nuclear Nation: The Fukusima Refugees Story). Film nosi kot medij veliko moč, saj se poslužuje tako vizualnih kot zvočnih sredstev. Tako se včasih vtisne v spomin bolj kot neka novica, ki jo človek le prebere. Sploh dokumentarni filmi, ki naj bi bili verodostojni in nepristranski, velikokrat izražajo svoje mnenje glede neke teme. To mnenje je nato podprto z različnimi načini reprezentacije in filmskimi tehnikami. Pri vsebini izbranih filmov so zastavljena štiri raziskovalna vprašanja, odgovori pa so argumentirani s prizori in tehnikami, ki se jih film poslužuje. Vprašanja so: kakšen je v filmu odnos do jedrske energije, skozi čigave oči je zgodba povedana in komu je dan glas, kaj je osrednja tema oziroma fokus filma ter ali film nakazuje na koga kot na krivca. Za vsak film so najprej podani glavni podatki, nato obnova, ki ji sledi analiza po raziskovalnih vprašanjih. Na koncu sta filma med seboj primerjana s poudarkom na zgoraj omenjena vprašanja.

• Jezik: Slovenski jezik
• Ključne besede: Fukushima, dokumentarni film, jedrska elektrarna, nesreča, reprezentacija.
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: FF - Filozofska fakulteta
• Leto izida: 2020
• PID: 20.500.12556/RUL-119572
• Datum objave v RUL: 10.09.2020

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Representation of Fukushima in documentary films after the accident in 2011

Izvleček

This paper discusses two documentary films about the accident that happened in Fukushima in 2011 and its consequences. The films are titled A Nuclear Story and Futaba kara tooku hanarete (Nuclear Nation: The Fukusima Refugees Story). Film has a lot of power as a medium of representation, as it uses both visual and audio elements. That's why compared to written news that are just read, films carry a bigger impact. Especially documentary films, which are expected to be truthful and objective, usually do carry a certain opinion on their topic. That opinion is expressed through different modes of representation and film techniques. This paper examines the two films based on four research questions. For each question there is given an answer, which is then explained with scenes from the film and the techniques that the film uses. The questions are: What kind of attitude is shown towards nuclear energy, through whom the story is told and who has been given a voice, what is the main focus of the film and does the film imply to a culprit? For each film, there are first given a few basic information, then it’s summary, followed by the film analysis based on the research questions. At the end the two films are compared, focusing on the questions mentioned above.

• Ključne besede: Fukushima, documentary film, nuclear power plant, accident, representation